The sign in Heidegger's Sein und Zeit
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Jonathan Hope
Jonathan Hope (b. 1979) is a lecturer at Université du Québec à Montréal 〈hope.jonathan@uqam.ca〉. His research interests include sign studies, contemporary continental philosophy, and links between philosophy and literature. His publications include “A biosemiotic approach to wine-tasting. Does a glass of white wine taste like a glass ofDomain Sigalas Santorini Asirtiko Athiri 2005? ” (with P-L. Patoine, 2009); and “Umwelträume and multisensory integration. Mirror perspectives on the subject-object dichotomy” (2010).
Abstract
Sign studies are traditionally divided into two major traditions: Peircean and Saussurean. However, other thinkers theorized the sign in radically unique terms. The German philosopher Martin Heidegger (1889–1976) is one of these parallel thinkers. Rather than considering the sign in exclusively logical or linguistic terms, Heidegger claimed that the sign grounded existence itself. The sign was at the very heart of being. Strangely, Heidegger's contribution to sign studies is, on the whole, disregarded. With this paper I will explain Heidegger's conception of the sign, in hope that this will broaden our field's theoretical encyclopaedia.
About the author
Jonathan Hope (b. 1979) is a lecturer at Université du Québec à Montréal 〈hope.jonathan@uqam.ca〉. His research interests include sign studies, contemporary continental philosophy, and links between philosophy and literature. His publications include “A biosemiotic approach to wine-tasting. Does a glass of white wine taste like a glass of Domain Sigalas Santorini Asirtiko Athiri 2005?” (with P-L. Patoine, 2009); and “Umwelträume and multisensory integration. Mirror perspectives on the subject-object dichotomy” (2010).
©2014 by Walter de Gruyter Berlin/Munich/Boston
Articles in the same Issue
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
- At the intersection of text and talk: On the reproduction and transformation of language in the multi-lingual evaluation of multi-lingual texts
- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
- The development of an idea in a context of rejection
- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
- The sign in Heidegger's Sein und Zeit
- The semiotic logic of signification of conspiracy theories
- Biopolitics, surveillance, and the subject of ADHD
- Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet
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- Testing the limits of oral narration
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- Review article
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Articles in the same Issue
- Frontmatter
- Semiotic degeneracy of social life: Prolegomenon to a human science of semiosis
- Heterosemiosis: Mixing sign systems in graphic narrative texts
- Do speakers really unconsciously and imagistically gesture about what is important when they are telling a story?
- On the institutional aspect of institutionalized and institutionalizing semiotics
- At the intersection of text and talk: On the reproduction and transformation of language in the multi-lingual evaluation of multi-lingual texts
- Cave paintings of the Early Stone Age: The early writings of modern man
- Revisiting legal terms: A semiotic perspective
- Two child narrators: Defamiliarization, empathy, and reader-response in Mark Haddon's The Curious Incident and Emma Donoghue's Room
- The development of an idea in a context of rejection
- Stopovers at logic and cybernetics: Georg Klaus's road to semiotics
- The sign in Heidegger's Sein und Zeit
- The semiotic logic of signification of conspiracy theories
- Biopolitics, surveillance, and the subject of ADHD
- Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet
- Translation, materiality, intersemioticity: Excursions in experimental literature
- Teleological historical narrative as a strategy for constructing political antagonism: The example of the narrative of Estonia's regaining of independence
- Testing the limits of oral narration
- How to do things with websites: Reconsidering Austin's perlocutionary act in online communication
- Fashionable yet strategic similarities: Diego Velázquez's creative consciousness seen through Saussurean-Hegelian composite approach
- Piaget's system of spatial logic: The semiosis of index
- The types of codes and their combinations: Visual perception and visual art
- Minimal acting: On the existential gap between theatre and performance art
- Visual semiotics and the national flag: A Kenyan perspective of Anglo-America's globe-cultural domination through mainstream music videos
- Dinner is ready! Studying the dynamics and semiotics of dinner
- Linking transculturality and transdisciplinarity
- Towards a semiotic theory of historico-cultural cycles: The semiotic contours of Spengler's “prime symbols”
- The taxicab-hailing encounter: The politics of gesture in the interaction order
- A semiotic model of visual change
- Semiotics, theatre, and the body: The performative disjunctures between theory and praxis
- On Peirce's diagrammatic models for ten classes of signs
- Phytosemiotics revisited: Botanical behavior and sign transduction
- Review article
- The dialogic lacuna in Fenves's Messianic Reduction: Walter Benjamin and the Shape of Time
