Migrations in Collective-based Visual Practices: From the American Great Depression of the 1930s to Post-2008 Europe

Chapters in this book

1. Frontmatter I
2. Acknowledgements V
3. Contents VII
4. Displacing Europe’s Past and Present: Reexamining Migration in Artistic and Critical Practices 1
5. 1 Discourses of Communality, Belonging, and Exclusion in Postmigrant Societies in Europe
6. Domus Europa: A European Post-Colonial and Post-Migration Projection 21
7. Migration and Boundaries of Belonging in Short Films and Moving Image Installations 39
8. Negotiating Migration in European Theater in/beyond “Thinking-as-Usual” 61
9. 2 Responses to Frames of Conflict and Crisis
10. Perpetual Crisis: Post-apocalyptic Refugee Timescapes in Richard Mosse’s Incoming (2014–2017) 89
11. Borderlines: Lip Sewing in No Man’s Land 109
12. War on Images: The Art of Provoking (Re)Actions 123
13. Migrations in Collective-based Visual Practices: From the American Great Depression of the 1930s to Post-2008 Europe 145
14. 3 Rethinking Collective and Individual Pasts in the Context of Migration
15. History in the Making: Minor Immigrant Film Studies as Memory Activism 167
16. The Self Remembered. The Poetics of Dislocation and Translatedness in Contemporary Memoirs 185
17. The Returnees in Portuguese Literature Before the Literature of the Return 201
18. Remediating Archives of Transit and Exile in Portugal between 1933 and 1945: Ethical Potentialities of Memory in Daniel Blaufuk’s Sob Céus Estranhos and João Canijo’s Fantasia Lusitana 223
19. About the Authors 247
20. Index of Names 251