Book
Licensed
Unlicensed
Requires Authentication
Cupid and Psyche
The Reception of Apuleius’ Love Story since 1600
-
Edited by:
Regine May
Language:
English
Published/Copyright:
2020
About this book
Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text.
Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.
Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars.
Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
Author / Editor information
R. May, University of Leeds, Leeds and S. Harrison, Corpus Christi College Oxford, Oxford, UK.
Topics
Publicly Available Download PDF |
I |
Publicly Available Download PDF |
V |
Publicly Available Download PDF |
VII |
Publicly Available Download PDF |
IX |
Regine May and Stephen Harrison Requires Authentication Unlicensed Licensed Download PDF |
1 |
I. Baroque and the Influence of La Fontaine
|
|
Tiziana Ragno Requires Authentication Unlicensed Licensed Download PDF |
31 |
Stephen Harrison Requires Authentication Unlicensed Licensed Download PDF |
47 |
Christiane Reitz Requires Authentication Unlicensed Licensed Download PDF |
61 |
Jared A. Simard Requires Authentication Unlicensed Licensed Download PDF |
79 |
II. Romanticism and Philosophy
|
|
Maeve O’Brien Requires Authentication Unlicensed Licensed Download PDF |
101 |
Robert H. F. Carver Requires Authentication Unlicensed Licensed Download PDF |
119 |
Regine May Requires Authentication Unlicensed Licensed Download PDF |
147 |
Michael Paschalis Requires Authentication Unlicensed Licensed Download PDF |
167 |
Zacharias Andreadakis Requires Authentication Unlicensed Licensed Download PDF |
181 |
Luca Ruggeri Requires Authentication Unlicensed Licensed Download PDF |
203 |
III. Fin de Siècle and Psychology
|
|
Lucia Pasetti Requires Authentication Unlicensed Licensed Download PDF |
225 |
Christoph Leidl Requires Authentication Unlicensed Licensed Download PDF |
247 |
Geoffrey C. Benson Requires Authentication Unlicensed Licensed Download PDF |
273 |
Clemence Schultze Requires Authentication Unlicensed Licensed Download PDF |
289 |
IV. Twentieth Century and Modernism
|
|
Julia Haig Gaisser Requires Authentication Unlicensed Licensed Download PDF |
307 |
Friedemann Drews Requires Authentication Unlicensed Licensed Download PDF |
323 |
Vernon L. Provencal Requires Authentication Unlicensed Licensed Download PDF |
339 |
Holly Ranger Requires Authentication Unlicensed Licensed Download PDF |
357 |
V. New Audiences
|
|
Lisa Maurice Requires Authentication Unlicensed Licensed Download PDF |
381 |
Hendrik Müller Requires Authentication Unlicensed Licensed Download PDF |
397 |
Janice Siegel Requires Authentication Unlicensed Licensed Download PDF |
415 |
Paula James Requires Authentication Unlicensed Licensed Download PDF |
433 |
Requires Authentication Unlicensed Licensed Download PDF |
451 |
Requires Authentication Unlicensed Licensed Download PDF |
455 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
February 24, 2020
eBook ISBN:
9783110641585
Hardcover published on:
February 24, 2020
Hardcover ISBN:
9783110641196
Paperback published on:
January 31, 2022
Paperback ISBN:
9783110777482
Pages and Images/Illustrations in book
Front matter:
12
Main content:
466
Coloured Illustrations:
31
eBook ISBN:
9783110641585
Hardcover ISBN:
9783110641196
Paperback ISBN:
9783110777482
Audience(s) for this book
Classicists, Scholars of English studies, Reception Studies, and Opera History.
Safety & product resources
-
Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com