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A Catholic Crown made of Marble and Paper
The Funeral Monuments for Maria Clementina Sobieska and James III as an Instrument of Representation of the Catholic Church
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Iris Haist
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Chapters in this book
- Frontmatter I
- Contents V
-
Introduction
- From a Pact to Rupture and Vice-versa 3
-
War and Peace
- Micro-conflicts and Reputation within Areas of “neutral” Ports during the War of the Spanish Succession 11
- Iuguntur Iuppiter et Sol 27
- Felicitas Duplex 43
-
Jesuits and Diplomacy
- The Huron-Wendat Wampum Belt at Chartres 57
- Refulgit Sol et Concordia 77
-
Negotiating with Faith
- Picturing Politics and Diplomacy 93
- A Catholic Crown made of Marble and Paper 107
-
Court and Diplomatic Celebrations
- L’Ambition de l’Espagnol 127
- Changing Alliances and their Impact on Charles III of Habsburg’s Royal Music Chapel and its Musicians in Barcelona (1705–1713) 145
- Authors 157
- Picture Credits 161
- Index 163
Chapters in this book
- Frontmatter I
- Contents V
-
Introduction
- From a Pact to Rupture and Vice-versa 3
-
War and Peace
- Micro-conflicts and Reputation within Areas of “neutral” Ports during the War of the Spanish Succession 11
- Iuguntur Iuppiter et Sol 27
- Felicitas Duplex 43
-
Jesuits and Diplomacy
- The Huron-Wendat Wampum Belt at Chartres 57
- Refulgit Sol et Concordia 77
-
Negotiating with Faith
- Picturing Politics and Diplomacy 93
- A Catholic Crown made of Marble and Paper 107
-
Court and Diplomatic Celebrations
- L’Ambition de l’Espagnol 127
- Changing Alliances and their Impact on Charles III of Habsburg’s Royal Music Chapel and its Musicians in Barcelona (1705–1713) 145
- Authors 157
- Picture Credits 161
- Index 163
