Kant’s Concept of Power of Judgment and the Logic of Artistic Improvisation

Chapters in this book

1. Frontmatter i
2. Acknowledgments v
3. Table of Contents vii
4. List of Abbreviations 1
5. Introduction 3
6. The Unity and Plurality of Culture 39
7. Blank Spaces and Blank Spots 61
8. The Place of Kant’s Critique of the Power of Judgment in Gadamer’s Hermeneutics 75
9. Modern Research Procedures and their Conflicts in View of Dignity 93
10. Disinterest and an Overabundance of Subjectivity 115
11. Kant, Max Horkheimer and Picasso 133
12. Think for Oneself and Broad-Minded Thinking 159
13. Eric Weil’s Reading of the Critique of the Power of Judgment 177
14. The Discordant Accord of the Faculties 195
15. “Through Königsbergian Mists” 207
16. Exceeding Exposures 229
17. Reflective Judgment, Abduction and Predictive Processing 251
18. Aesthetic Experience and Its Values 265
19. Retrieving Kant’s Aesthetics for Art Theory After Greenberg 283
20. Stanley Cavell and the Critique of the Linguistic Power of Judgment 301
21. Kant’s Concept of Power of Judgment and the Logic of Artistic Improvisation 315
22. Kant and Everyday Aesthetics 339
23. About the Contributors 359
24. Index of Concepts 365
25. Index of Names 375