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The Musical Camelot and Colonial Medieval Tribalism in Richard E. Grant’s 2005 Film Wah-Wah
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Kevin J. Harty
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Chapters in this book
- Frontmatter i
- Acknowledgments vi
- Contents vii
- List of Illustrations ix
- Preface xiii
- “Hair Cut Short like a Mediæval Page”: Queer Medievalisms in Gwen Lally’s Historical Pageants and Radclyffe Hall’s The Well of Loneliness (1928) 1
- “I thought I would be a Chaucerian”: Robert Glück, the Medievalism of New Narrative, and Margery Kempe 26
- “I Will Send to Them Women”: Josephine Butler’s Catharine of Siena: A Biography (1878), Female Food Abstinence, and Victorian Feminist Medievalism 53
- “Noble Maiden Fair”: Music and the Construction of Gender in Disney/Pixar’s Brave and Disney’s Sleeping Beauty 79
- Becoming a Man in Narnia: Adaptation, Medievalism, and Masculinity in Prince Caspian 103
- “Where Men Lived After the Manner of Beasts”: Bandits in Medieval Worlds 123
- The Musical Camelot and Colonial Medieval Tribalism in Richard E. Grant’s 2005 Film Wah-Wah 139
- Narratives of Belonging: Arminius and Autochthony between the Minnesota Prairie and German Forests 149
- King Arthur and Imagined Indians: The Entanglement of Medievalist and Indigenous Elements in Guy Gavriel Kay’s Fionavar Tapestry 174
- Arthurian Legend and the Death of Optimus Prime in Transformers: The Movie (1986) 192
- Laughing at a Carolingian Legacy: Medievalism and Charlemagne Legends in Twentieth-Century America 213
- Contributors 240
Chapters in this book
- Frontmatter i
- Acknowledgments vi
- Contents vii
- List of Illustrations ix
- Preface xiii
- “Hair Cut Short like a Mediæval Page”: Queer Medievalisms in Gwen Lally’s Historical Pageants and Radclyffe Hall’s The Well of Loneliness (1928) 1
- “I thought I would be a Chaucerian”: Robert Glück, the Medievalism of New Narrative, and Margery Kempe 26
- “I Will Send to Them Women”: Josephine Butler’s Catharine of Siena: A Biography (1878), Female Food Abstinence, and Victorian Feminist Medievalism 53
- “Noble Maiden Fair”: Music and the Construction of Gender in Disney/Pixar’s Brave and Disney’s Sleeping Beauty 79
- Becoming a Man in Narnia: Adaptation, Medievalism, and Masculinity in Prince Caspian 103
- “Where Men Lived After the Manner of Beasts”: Bandits in Medieval Worlds 123
- The Musical Camelot and Colonial Medieval Tribalism in Richard E. Grant’s 2005 Film Wah-Wah 139
- Narratives of Belonging: Arminius and Autochthony between the Minnesota Prairie and German Forests 149
- King Arthur and Imagined Indians: The Entanglement of Medievalist and Indigenous Elements in Guy Gavriel Kay’s Fionavar Tapestry 174
- Arthurian Legend and the Death of Optimus Prime in Transformers: The Movie (1986) 192
- Laughing at a Carolingian Legacy: Medievalism and Charlemagne Legends in Twentieth-Century America 213
- Contributors 240
