Music in Print and Beyond: Hildegard von Bingen to The Beatles

Book

Music in Print and Beyond

Hildegard von Bingen to The Beatles

Edited by: Craig Monson and Roberta Montemorra Marvin
With contributions by: Bonnie Blackburn , Bonnie Gordon , Craig Monson , Ellen T. Harris , Gabriela Cruz , Honey Meconi , Joseph Auner , Kate Van Orden , Lewis Lockwood , Paul S. Machlin , Roberta Montemorra Marvin and Susan Youens

Language: English

Published/Copyright: 2013

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This book is in the series

Volume 105 | Eastman Studies in Music

About this book

Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present.

Topics

Cultural Studies Genres and Media in Cultural Studies Music

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	vii
Acknowledgments Publicly Available Download PDF	ix
Introduction Craig A. Monson and Roberta Montemorra Marvin Requires Authentication Unlicensed Licensed Download PDF	1
Chapter One. Robert Granjon and Music during the Golden Age of Typography Kate van Orden Requires Authentication Unlicensed Licensed Download PDF	11
Chapter Two. Publishing Music Theory in Early Cinquecento Venice and Bologna: Friends and Foes Bonnie J. Blackburn Requires Authentication Unlicensed Licensed Download PDF	36
Chapter Three. Preaching to the Choir: Arts of Persuasion in the Convents of Italy Craig A. Monson Requires Authentication Unlicensed Licensed Download PDF	62
Chapter Four. Music Distribution in London during Handel’s Lifetime: Manuscript Copies versus Prints Ellen T. Harris Requires Authentication Unlicensed Licensed Download PDF	95
Chapter Five. Beethoven’s Miniatures Lewis Lockwood Requires Authentication Unlicensed Licensed Download PDF	118
Chapter Six “The Beautiful and the Ugly” Travel Literature, Racial Theory, and a Schumann Song Susan L. Youens Requires Authentication Unlicensed Licensed Download PDF	129
Chapter Seven. Verdi’s “Music of the Future” Roberta Montemorra Marvin Requires Authentication Unlicensed Licensed Download PDF	158
Chapter Eight. The Suspended Voice of Amália Rodrigues Gabriela Cruz Requires Authentication Unlicensed Licensed Download PDF	180
Chapter Nine. More than Mostly Mozart: Teddy Wilson’s “China Boy” Paul S. Machlin Requires Authentication Unlicensed Licensed Download PDF	200
Chapter Ten. Wanted Dead and Alive: Historical Performance Practice and Electro-Acoustic Music from IRCAM to Abbey Road Joseph Auner Requires Authentication Unlicensed Licensed Download PDF	213
Chapter Eleven. Lowinsky’s Secrets Bonnie Gordon Requires Authentication Unlicensed Licensed Download PDF	232
Chapter Twelve. The Unknown Hildegard: Editing, Performance, and Reception (An Ordo Virtutum in Five Acts) Honey Meconi Requires Authentication Unlicensed Licensed Download PDF	258
Contributors Requires Authentication Unlicensed Licensed Download PDF	307
Index Requires Authentication Unlicensed Licensed Download PDF	311

Publishing information

Pages and Images/Illustrations in book

eBook published on:

December 1, 2013

eBook ISBN:

9781580468282

Original publisher:

University of Rochester Press

Pages and Images/Illustrations in book

Main content:

338

Other:

31 b/w, 22 line illus.

https://doi.org/10.1515/9781580468282

eBook ISBN: 9781580468282

Keywords for this book

Music; Manuscript; Print; Electronic Formats; Sixteenth Century; Dissemination; Hildegard von Bingen; The Beatles

Audience(s) for this book

Professional and scholarly;

Music in Print and Beyond

Overview

About this book

Topics

Table of contents

Bibliographic data