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Eastman Studies in Music
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A detailed investigation, based on extensive study of press reports and early recordings, of the popular Hungarian bands in Vienna who influenced Brahms and other composers.
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Investigates the composition and reception of works by key Romantics such as Beethoven, Schubert, Brahms, Wagner and the Schumanns with attention to the role of sexual desire in the composers' lives and music.
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Offers a historical context in which to understand how Brahms's three most intensely political and nationalistic works interact with questions of German patriotism, liberalism and nationalism.
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A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner.
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Hector Berlioz combined writing music with lively and informed music criticism. This collection of articles, engagingly translated by Roger Nichols, covers the middle years of his critical career.
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Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song.
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A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.
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Stravinsky's influence on Debussy in 1910-13 is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux.
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Demonstrates that the concept of genius is as vitally needed as ever and can illuminate the workings of Mozart's creative imagination.
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Looks at Janequin's revolutionary approach to entertainment music, his role as a pioneer in the developing music-printing industry, and his contributions to sacred music
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The last of the Romantics, Widor narrated his recollections in 1936, bringing to life his diverse experiences from the time of Louis Philippe to the cusp of World War II.
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Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences.
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A long-needed and up-to-date overview of the syntax and principles that make Verdi's operas so effective and so beloved today.
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Scholars explore from many fresh angles the interweavings of two of the richest strands of human culture - music and esotericism - with examples from the medieval period to the modern age.
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The first biography of the composer Gérard Grisey shows how the artist's sensuality and rigor came together to form the musical genre known as spectralism.
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This long-awaited study explores the creation of NBC-TV's landmark 1952-53 WWII documentary series, with particular attention to its evocative Rodgers-Bennett score.
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The first study to explore the crucial influence of Kurt Weill on operas and musicals by Marc Blitzstein and Leonard Bernstein.
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A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes.
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The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life.
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A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
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This biography of Minna Planer, Richard Wagner's wife of 30 years, reveals her as a self-assured woman and artist who was vital to her husband's creative life.
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Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
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The first thorough examination of the most renowned and influential organist in early twentieth-century Germany and of his complex relationship to his country's tumultuous and shifting sociopolitical landscape.
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Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.
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Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.
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Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
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A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries.
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The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers
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2022 CHOICE Outstanding Academic Title Winner.
The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.
The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.
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Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
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A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages.
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The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.
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A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.
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A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
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Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism.
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The first collection ever of essays and reviews by the renowned pedagogue, composer, and conductor, providing fresh perspectives on her musical influence and impact.
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Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
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The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
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Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.
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Interpretive and biographical essays by a major authority on Bach and Mozart probe for clues to the driving forces and experiences that shaped the character and the extraordinary artistic achievements of these iconic composers.
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Reveals how Aaron Copland's complex relationship with the music of Gustav Mahler shaped his vision for American music in the twentieth century.
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English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy.
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Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.
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The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States.
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Widor's pedagogical writings, translated for the first time, offer essential guidance for interpreting his organ compositions as well as those of his followers in the French Romantic organ school.
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A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music.
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Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
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A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in émigré California, fought against prejudice to do notable work in music.
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How do you create a style of opera that speaks to everyone, when no one agrees on what it should say&emdash;or how?
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Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
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The composer's diaries, translated for the first time, with commentary on his distinctive musical aesthetics and his relationship to artistic cross-currents in Czechoslovakia, France, and America.
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The first critical study of the life and distinctive artistic vision of Heinrich Neuhaus, a legendary pianist-pedagogue widely considered one of the leading shapers of the renowned Russian piano tradition.
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This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
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A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.
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WINNER: 2019 Outstanding Multi-Author Collection Award from the Society for Music Theory
Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.
Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.
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Published for the first time: a rich epistolary dialogue revealing one master teacher's power to shape the cultural canon and one great composer's desire to embed himself within historical narratives.
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Probing analyses, from the renowned music theorist, of Schubert's great, yet still little-studied piano-solo, chamber, and symphonic masterpieces.
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All-new interviews with 33 of the world's leading composers--from Adams and Crumb to Gubaïdulina and Rihm--give unique insights into the creative process.
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Presents previously unpublished memoirs (1933-77), lectures, and essays by the eminent harpsichordist and scholar Ralph Kirkpatrick.
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This book reveals Czech composer Bedrich Smetana as a dynamic figure whose mythology has been rewritten time and again to suit shifting political perspectives.
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This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
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Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.
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Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
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Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.
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The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements.
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Pathbreaking study of a vast and intriguing repertoire: arrangements for keyboard instruments of songs, arias, and other vocal pieces, from the age William Byrd to that of Handel.
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This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.
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The first systematic study to address the character and scope of American popular music in India during British rule.
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One of Europe's foremost experts on early guitar music explores this little known but richly rewarding repertoire.
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A compelling portrait of composer-performer Julius Eastman's enigmatic and intriguing life and music.
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The renowned treatise on music, by an eleventh-century monk, in a critical edition with annotated English translation, introduction, and detailed indexes.
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Presents thirteen studies that engage with the notion of formal function in a variety of ways
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Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe.
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Examines the remarkable career of leading soprano castrato Venanzio Rauzzini (1746-1810), the first castrato to make Britain his home.
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Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale.
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This pioneering study of ballets staged in Parisian music halls brings to light a vibrant dance culture central to the renewal of French choreography at the fin de siècle.
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Outstanding Multi-Authored Collection Award from the Society for Music Theory
Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms.
Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms.
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Combining cultural analysis with historical and personal accounts of a century of musical life at the American Academy in Rome, this volume provides a history of the AAR's Rome Prize in Composition.
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Examines the impact of Harry Partch's hobo years from a variety of perspectives, exploring how the composer both engaged and frustrated popular conceptions of the hobo.
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Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov.
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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.
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This collection of letters to and from the eminent harpsichordist, scholar, and early-music pioneer Ralph Kirkpatrick provides a portrait of the musician from the beginning of his career in Paris in the 1930s to its end in the early 1980s.
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First English-language study of Anton Heiller (1923-1979), one of the twentieth-century's most influential organists
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Examines the impact of contemporary ideas about the psyche and neglected yet crucial artistic influences on the psychological dimension of Wagner's operas, especially Die Feen, Der fliegende Holländer, Tannhäuser, Lohengrin, and the Ring.
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In this first comprehensive examination of the music of the most prolific Bach son, David Schulenberg offers new perspectives on the career, style, and originality of Carl Philipp Emanuel Bach.
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Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings, through its many arrangements, to its impact on dance, literature, film, and music.
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Liszt's Final Decade reveals in the composer's own words to his confidantes Carolyne von Sayn-Wittgenstein and Olga von Meyendorff how he resolved his conflicted self-image as a celebrated performer but underappreciated composer.
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Presents case studies of "inspiration" in five composers -- Wagner, Mahler, Furtwängler, R. Strauss, and Berg -- examining how the supposedly extrarational world of creative inspiration intersects with the highly rational world ofmoney and politics.
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This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg's Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures.
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In 1983, French-Canadian composer Claude Vivier was murdered in Paris at the age of thirty-four. Based on unrestricted access to Vivier's personal archives, this book is the first to tell his story.
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Embraces an all-encompassing interdisciplinary methodology to uncover the symbiosis of saintly and civic ideals in music, rituals, and hagiographic writing celebrating the origins and identity of a major clerical center.
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A unique look at the career of a little-known contemporary of Haydn and Mozart, presented against a fascinating background of court musical life in late eighteenth-century Germany.
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Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers.
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Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present.
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First English-language publication of fascinating interviews with world-renowned musicians: composers (György Ligeti), conductors (Claudio Abbado), singers (Elisabeth Schwarzkopf), instrumentalists (Yehudi Menuhin, Alfred Brendel), and more.
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The first extended study of seven beloved French symphonic masterpieces, from Saint-Saëns and Franck to d'Indy and Dukas.
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The pathbreaking revival in Paris ca. 1900 of long-neglected operas by Mozart, Gluck, and Rameau -- and what this meant to French audiences, critics, and composers.
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How one extraordinary pianist, scholar, and editor prepared for publication important scores by Ives, Copland, and Ruggles, and reshaped the history of American musical modernism.
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An innovative and incisive reassessment of a seminal figure in nineteenth-century musical life, through a fresh consideration of his aesthetic, critical, and autobiographical writings.
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The first thorough study of Liszt's use of the musical style associated with the Hungarian Roma ["Gypsies"] in his renowned Hungarian Rhapsodies and less overtly Hungarian works.
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A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.
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Master interviewer Bálint András Varga poses three probing questions to renowned contemporary composers about their work, and carefully renders their answers in their own words.
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Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars.
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Brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor.
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This book is a philosophical tour through the experience of beauty: what it is, and how the composer, performer, and listener all contribute. It explores -- with insight, patience, and humor -- profound issues at the essence of our experience. A student performance of Beethoven's String Quartet No. 10 in E-Flat Major, known as the "Harp," serves as a point of departure and a recurring theme. For the layperson the core of the book is five dialogues betweenIcarus, an inquiring student intensely concerned with fulfilling his highest potential as a musician, and Daedalus, a curmudgeonly, iconoclastic teacher who guides Icarus's search. Three technical articles, geared to the music professional and academic, treat the issues in greater depth.
Supplementary online audio files and musical examples.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renownedpedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of On the Principles and Practice of Conducting (University of RochesterPress, 2016) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
Supplementary online audio files and musical examples.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renownedpedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of On the Principles and Practice of Conducting (University of RochesterPress, 2016) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
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A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life.
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A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris.
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Biography of the late American composer Leon Kirchner (1919-2009), exploring his work and important personal associations.
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Examines the life and compositional oeuvre of prolific eighteenth century musician, composer, and singer Marianna Martines (1744-1813).
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Reveals the great twentieth-century Italian composer's innovative handling of harmony, form, and text setting.
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Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature.
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Compulsively readable interviews with the great American composer and his friends and colleagues, including Aaron Copland, Virgil Thomson, and Leontyne Price.
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A translation of the only book that focuses solely on the pianistic aspect of Busoni's wide-ranging career.
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This contextual study of Janácek's operas reveals the composer's creative responses to a wide range of Czech and non-Czech traditions.
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Explores the meaning[s] of music, the most intricate and significant language invented by our culture.
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The first detailed study of a prolific and influential early twentieth-century composer, critic, educator-a true sage of music.
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Uniquely revealing interviews with one of the world's greatest living composers.
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An insightful and exquisitely written reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture.
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Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.
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A richly interdisciplinary study of Strauss's contributions to ballet, his collaboration with prominent dance artists of his time, and his explorations of musical modernism.
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The first full-length study of a remarkable composer, writer, painter, and expert on astrology, based on Rudhyar's personal archives.
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An engaging study -- the first ever -- of the principles used by noted scholars to unravel the masterpieces of Schoenberg, Stravinsky, and other modernists.
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Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen.
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A practical but scholarly guide to Japanese instruments by one of the country's leading composers.
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Essays by the noted authority on nineteenth-century music, the topics ranging from Beethoven and Schubert to comic opera to Scriabin and Janácek.
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Practical suggestions, and documentary evidence, for performers wishing to understand the gestures and nuances embedded in eighteenth-century musical notation.
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New, insightful essays from musicologists, historians, art historians, and literary scholars reconsider the relationship of Debussy, Gauguin, Zola, and other great French creative artists to cultural and political trends during the Third Republic.
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The first English-language book on Czerny, and the broadest survey of his activity in any language.
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New studies of the great French composer by Jacques Barzun, David Cairns, Joël-Marie Fauquet, Hugh Macdonald, Julian Rushton, and other prominent experts.
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Essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today.
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The first comprehensive study, by a team of leading scholars, of one of the United States's most distinctive musical traditions.
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Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.
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A new, deeply researched biography of the great French organist, who composed some of the best-loved works in the organ repertory -- and the masterful Requiem.
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Demonstrates how Purcell, Berlioz, Verdi, and Britten, responding to Shakespeare's juxtaposition of contrasting theatrical styles, devised music dramas that call opera into question.
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The first in-depth study of Mendelssohn's two settings of Goethe's Die erste Walpurgisnacht, in the context of scenes from Goethe's Faust and other works.
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Interdisciplinary perspectives on the life and work of the esteemed "ultra-modern" American composer and pioneering folk music activist, Ruth Crawford Seeger (1901-1953).
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How Franz Schubert and his compositions were viewed in nineteenth-century European criticism, literature, and the visual arts, from Schumann to George Eliot to Whistler.
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An overview of the history of the Prague musical community from 1900 until the end of democracy in 1938, with attention to polemics about "Czechness" and "modernism."
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Revealing unpublished interviews with John Cage and some of his closest colleagues, including Virgil Thomson, Karlheinz Stockhausen, Pauline Oliveros, Merce Cunningham, and David Tudor.
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Bach's Changing World is a study of popular culture in the community in which Bach spent the last, the longest, and the most productive part of his life: the Leipzig middle-class.
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The first thorough exploration of musical life in nineteenth-century New York City, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti.
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Letters I Never Mailed: Clues to a Life, by Alec Wilder, in a new, annotated edition with introduction and supplementary material by David Demsey, foreword by jazz pianist Marian McPartland, and photographs by Louis Ouzer.
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An exploration of how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region.
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This work provides new insight into the inner workings of Bach's Partitas and Suites, establishing various ways in which the composer linked several movements of a suite to produce a unified effect.
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Musical Encounters at the 1889 Paris World's Fair explores the ways in which music was used, appropriated, exhibited, listened to, and written about during the six months of the 1889 Exposition Universelle in Paris, therebyrevealing the role and the sociopolitical uses of music in France and, more generally, Europe during the late nineteenth century.
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A choice selection of essays, reviews and interviews providing insights into musical performance, composition in the late 20th century and very early 21st, and the nature of opera.
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The first English translation of the correspondence between two composers and friends.
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An exploration of the meaning of "modernist" music.
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A defense of Schenkerian analysis of tonality in music.
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An examination of the role of the pedal clavichord in understanding the work of J. S. Bach, as well as its relevance to contemporary organ performances.
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The life and works of one of the most difficult yet rewarding composers of modern time.
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A record of a ten-year personal friendship, with letters, and insights on other contemporaries.
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The first English work dealing in detail with the life and musical influences of the Italian composer Luigi Dallapiccola (1904-1975).
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A biography of Winnaretta Singer-Polignac, heiress to the Singer Sewing Machine fortune, who befriended and subsidized some of the most important musical and literary artists of the 20th Century, including Stravinsky, Proust, Ravel, Cocteau, and Colette.
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This is the first complete translation into English of Berlioz's second collection of musical articles, originally published in 1859. The work is a uniquely Berliozian combination of light-hearted journalism and serious musical comment and analysis.
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A collection of essays commemorating Hector Berlioz's life and work on the 200th anniversary of his birth.
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A study on the influence which the German novelist Jean Paul Friedrich Richter had upon Robert Schumann's music.
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A unique treatment of the key influences on the life of this important Australian composer, consisting of oral histories by people who knew Grainger, as well as reflections from his own writings.
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This is the first complete publication of the late composer and scholar Ruth Crawford Seeger's major work on American folksongs. It preserves them as well as demonstrates how they should be played so that they remain a living partof the American musical tradition.
