Introduction

Brian Larkin

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Introduction

Brian Larkin

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Larkin, Brian. "Introduction". Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria, New York, USA: Duke University Press, 2008, pp. 1-15. https://doi.org/10.1515/9780822389316-002

Larkin, B. (2008). Introduction. In Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria (pp. 1-15). New York, USA: Duke University Press. https://doi.org/10.1515/9780822389316-002

Larkin, B. 2008. Introduction. Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria. New York, USA: Duke University Press, pp. 1-15. https://doi.org/10.1515/9780822389316-002

Larkin, Brian. "Introduction" In Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria, 1-15. New York, USA: Duke University Press, 2008. https://doi.org/10.1515/9780822389316-002

Larkin B. Introduction. In: Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria. New York, USA: Duke University Press; 2008. p.1-15. https://doi.org/10.1515/9780822389316-002

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Chapters in this book

Frontmatter i
Contents vii
Acknowledgments ix
Introduction 1
1 Infrastructure, the Colonial Sublime, and Indirect Rule 16
2 Unstable Objects: The Making of Radio in Nigeria 48
3 Majigi, Colonial Film, State Publicity, and the Political Form of Cinema 73
4 Colonialism and the Built Space of Cinema 123
5 Immaterial Urbanism and the Cinematic Event 146
6 Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film 168
7 Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 217
Conclusion 242
Notes 257
Bibliography 277
Index 301

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https://doi.org/10.1515/9780822389316-002

Chapters in this book

Frontmatter i
Contents vii
Acknowledgments ix
Introduction 1
1 Infrastructure, the Colonial Sublime, and Indirect Rule 16
2 Unstable Objects: The Making of Radio in Nigeria 48
3 Majigi, Colonial Film, State Publicity, and the Political Form of Cinema 73
4 Colonialism and the Built Space of Cinema 123
5 Immaterial Urbanism and the Cinematic Event 146
6 Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film 168
7 Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 217
Conclusion 242
Notes 257
Bibliography 277
Index 301

Introduction

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