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7 Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy
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Brian Larkin
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1 Infrastructure, the Colonial Sublime, and Indirect Rule 16
- 2 Unstable Objects: The Making of Radio in Nigeria 48
- 3 Majigi, Colonial Film, State Publicity, and the Political Form of Cinema 73
- 4 Colonialism and the Built Space of Cinema 123
- 5 Immaterial Urbanism and the Cinematic Event 146
- 6 Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film 168
- 7 Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 217
- Conclusion 242
- Notes 257
- Bibliography 277
- Index 301
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1 Infrastructure, the Colonial Sublime, and Indirect Rule 16
- 2 Unstable Objects: The Making of Radio in Nigeria 48
- 3 Majigi, Colonial Film, State Publicity, and the Political Form of Cinema 73
- 4 Colonialism and the Built Space of Cinema 123
- 5 Immaterial Urbanism and the Cinematic Event 146
- 6 Extravagant Aesthetics: Instability and the Excessive World of Nigerian Film 168
- 7 Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy 217
- Conclusion 242
- Notes 257
- Bibliography 277
- Index 301