8. DIE AGLE AND DIBEAR

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. ACKNOWLEDGMENTS ix
4. INTRODUCTION: Hearing Empire—Imperial Listening 1
5. Part I. TECHNOLOGIES OF CIRCULATION
6. 1. DECOLONIZING THE EAR 25
7. 2. SMOKING HOT 45
8. 3. CIRCUIT LISTENING 66
9. Part II. AUDIBLE DISPLACEMENTS
10. 4. THE AESTHETICS OF ALLÁ 95
11. 5. SOUND LEGACY 116
12. 6. IMPERIAL AURALITY 135
13. 7. WHERE THEY CAME FROM 161
14. Part III. CULTURAL POLICIES AND POLITICS IN THE SOUND MARKET
15. 8. DIE AGLE AND DIBEAR 187
16. 9. CURRENTS OF REVOLUTIONARY CONFLUENCE 209
17. 10. TANGO AS INTANGIBLE CULTURAL HERITAGE 225
18. 11. MUSICAL ECONOMIES OF THE ELUSIVE METROPOLIS 246
19. Part IV. ANTICOLONIALISM
20. 12. THE SOUND OF ANTICOLONIALISM 269
21. 13. RAP, RACE, REVOLUTION 292
22. 14. ECHO AND ANTHEM 314
23. 15. TONALITY AS A COLONIZING FORCE IN AFRICA 334
24. DISCOGRAPHY 357
25. BIBLIOGRAPHY 361
26. CONTRIBUTORS 391
27. INDEX 397