Asia Pacific Modern

The State's Sexuality uncovers how the lives and work of women engaged in prostitution, long considered the most abased members of society, have been strategically intertwined with the lofty purpose of building South Korea's postcolonial nation-state. Through a complicated, contradictory patchwork of laws and regulations, which Park Jeong-Mi conceptualizes as a "toleration-regulation regime," the South Korean state did not merely exclude sex workers from ordinary citizenship; it also mobilized them for national security, national development, and the making of a gendered citizenry. In the process, the newly independent state was constructed, augmented, and consolidated. Sex workers often protested such draconian policies and sometimes utilized state apparatuses to get recognition as citizens. Based on expansive, meticulous archival research and sophisticated interpretation of historical records and women's voices, Park rewrites the dynamic history of South Korea from 1945 to the present through the lens of prostitution.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.

Provincializing Empire explores the global history of Japanese expansion through a regional lens. It rethinks the nation-centered geography and chronology of empire by uncovering the pivotal role of expeditionary merchants from Ōmi (present-day Shiga Prefecture) and their modern successors. Tracing their lives from the early modern era, and writing them into the global histories of empire, diaspora, and capitalism, Jun Uchida offers an innovative analysis of expansion through a story previously untold: how the nation's provincials built on their traditions to create a transpacific diaspora that stretched from Seoul to Vancouver, while helping shape the modern world of transoceanic exchange.

In Search of Our Frontier explores the complex transnational history of Japanese immigrant settler colonialism, which linked Japanese America with Japan’s colonial empire through the exchange of migrant bodies, expansionist ideas, colonial expertise, and capital in the Asia-Pacific basin before World War II. The trajectories of Japanese transpacific migrants exemplified a prevalent national structure of thought and practice that not only functioned to shore up the backbone of Japan’s empire building but also promoted the borderless quest for Japanese overseas development. Eiichiro Azuma offers new interpretive perspectives that will allow readers to understand Japanese settler colonialism’s capacity to operate outside the aegis of the home empire.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.

Outcasts of Empire unveils the causes and consequences of capitalism’s failure to “batter down all Chinese walls” in modern Taiwan. Adopting micro- and macrohistorical perspectives, Paul D. Barclay argues that the interpreters, chiefs, and trading-post operators who mediated state-society relations on Taiwan’s “savage border” during successive Qing and Japanese regimes rose to prominence and faded to obscurity in concert with a series of “long nineteenth century” global transformations.

Superior firepower and large economic reserves ultimately enabled Japanese statesmen to discard mediators on the border and sideline a cohort of indigenous headmen who played both sides of the fence to maintain their chiefly status. Even with reluctant “allies” marginalized, however, the colonial state lacked sufficient resources to integrate Taiwan’s indigenes into its disciplinary apparatus. The colonial state therefore created the Indigenous Territory, which exists to this day as a legacy of Japanese imperialism, local initiatives, and the global commodification of culture.

Sanitized Sex analyzes the development of new forms of regulation concerning prostitution, venereal disease, and intimacy during the American occupation of Japan after the Second World War, focusing on the period between 1945 and 1952. It contributes to the cultural and social history of the occupation of Japan by investigating the intersections of ordering principles like race, class, gender, and sexuality. It also reveals how sex and its regulation were not marginal but key issues in postwar empire-building, U.S.-Japanese relations, and American and Japanese self-imagery. The regulation of sexual encounters between occupiers and occupied was closely linked to the disintegration of the Japanese empire and the rise of U.S. hegemony in the Asia-Pacific region during the Cold War era. Shedding new light on the configuration of postwar Japan, the process of decolonization, the postcolonial formation of the Asia-Pacific region, and the particularities of postwar U.S. imperialism, Sanitized Sex offers a reading of the intimacies of empires—defeated and victorious.

A free ebook version of this title is available through Luminos, University of California Press’s open access publishing program for monographs. Visit www.luminosoa.org to learn more.

Imperial Genus begins with the turn to world culture and ideas of the generally human in Japan’s cultural policy in Korea in 1919. How were concepts of the human’s genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science.

Imperial Genus focuses on how notions of human generality mediated uncertainty between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is a genealogy of the various articulations of the human’s genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure.

Since the 1980s, arguments for a multicultural Japan have gained considerable currency against an entrenched myth of national homogeneity. Working Skin enters this conversation with an ethnography of Japan’s "Buraku" people. Touted as Japan’s largest minority, the Buraku are stigmatized because of associations with labor considered unclean, such as leather and meat production. That labor, however, is vanishing from Japan: Liberalized markets have sent these jobs overseas, and changes in family and residential record-keeping have made it harder to track connections to these industries. Multiculturalism, as a project of managing difference, comes into ascendancy and relief just as the labor it struggles to represent is disappearing.

Working Skin develops this argument by exploring the interconnected work of tanners in Japan, Buraku rights activists and their South Asian allies, as well as cattle ranchers in West Texas, United Nations officials, and international NGO advocates. Moving deftly across these engagements, Joseph Hankins analyzes the global political and economic demands of the labor of multiculturalism. Written in accessible prose, this book speaks to larger theoretical debates in critical anthropology, Asian and cultural studies, and examinations of liberalism and empire, and it will appeal to audiences interested in social movements, stigmatization, and the overlapping circulation of language, politics, and capital.

At the height of state censorship in Japan, more indexes of banned books circulated, more essays on censorship were published, more works of illicit erotic and proletarian fiction were produced, and more passages were Xed out than at any other moment before or since. As censors construct and maintain their own archives, their acts of suppression yield another archive, filled with documents on, against, and in favor of censorship. The extant archive of the Japanese imperial censor (1923-1945) and the archive of the Occupation censor (1945-1952) stand as tangible reminders of this contradictory function of censors. As censors removed specific genres, topics, and words from circulation, some Japanese writers converted their offensive rants to innocuous fluff after successive encounters with the authorities. But, another coterie of editors, bibliographers, and writers responded to censorship by pushing back, using their encounters with suppression as incitement to rail against the authorities and to appeal to the prurient interests of their readers. This study examines these contradictory relationships between preservation, production, and redaction to shed light on the dark valley attributed to wartime culture and to cast a shadow on the supposedly bright, open space of free postwar discourse. (Winner of the 2010-2011 First Book Award of the Weatherhead East Asian Institute, Columbia University)

In this path-breaking book, Tong Lam examines the emergence of the "culture of fact" in modern China, showing how elites and intellectuals sought to transform the dynastic empire into a nation-state, thereby ensuring its survival. Lam argues that an epistemological break away from traditional modes of understanding the observable world began around the turn of the twentieth century. Tracing the Neo-Confucian school of evidentiary research and the modern departure from it, Lam shows how, through the rise of the social survey, "the fact" became a basic conceptual medium and source of truth. In focusing on China’s social survey movement, A Passion for Facts analyzes how information generated by a range of research practices—census, sociological investigation, and ethnography—was mobilized by competing political factions to imagine, manage, and remake the nation.

Race for Empire offers a profound and challenging reinterpretation of nationalism, racism, and wartime mobilization during the Asia-Pacific war. In parallel case studies—of Japanese Americans mobilized to serve in the United States Army and of Koreans recruited or drafted into the Japanese military—T. Fujitani examines the U.S. and Japanese empires as they struggled to manage racialized populations while waging total war. Fujitani probes governmental policies and analyzes representations of these soldiers—on film, in literature, and in archival documents—to reveal how characteristics of racism, nationalism, capitalism, gender politics, and the family changed on both sides. He demonstrates that the United States and Japan became increasingly alike over the course of the war, perhaps most tellingly in their common attempts to disavow racism even as they reproduced it in new ways and forms.

In this engrossing cultural history of baseball in Taiwan, Andrew D. Morris traces the game’s social, ethnic, political, and cultural significance since its introduction on the island more than one hundred years ago. Introduced by the Japanese colonial government at the turn of the century, baseball was expected to "civilize" and modernize Taiwan’s Han Chinese and Austronesian Aborigine populations. After World War II, the game was tolerated as a remnant of Japanese culture and then strategically employed by the ruling Chinese Nationalist Party (KMT) Even as it was also enthroned by Taiwanese politicians, cultural producers, and citizens as their national game. In considering baseball’s cultural and historical implications, Morris deftly addresses a number of societal themes crucial to understanding modern Taiwan, the question of Chinese "reunification," and East Asia as a whole.

Tropics of Savagery is an incisive and provocative study of the figures and tropes of "savagery" in Japanese colonial culture. Through a rigorous analysis of literary works, ethnographic studies, and a variety of other discourses, Robert Thomas Tierney demonstrates how imperial Japan constructed its own identity in relation both to the West and to the people it colonized. By examining the representations of Taiwanese aborigines and indigenous Micronesians in the works of prominent writers, he shows that the trope of the savage underwent several metamorphoses over the course of Japan's colonial period--violent headhunter to be subjugated, ethnographic other to be studied, happy primitive to be exoticized, and hybrid colonial subject to be assimilated.

Frontier Constitutions is a pathbreaking study of the cultural transformations arrived at by Spanish colonists, native-born creoles, mestizos (Chinese and Spanish), and indigenous colonial subjects in the Philippines during the crisis of colonial hegemony in the nineteenth century, and the social anomie that resulted from this crisis in law and politics. John D. Blanco argues that modernity in the colonial Philippines should not be understood as an imperfect version of a European model but as a unique set of expressions emerging out of contradictions—expressions that sanctioned new political communities formed around the precariousness of Spanish rule. Blanco shows how artists and writers struggled to synthesize these contradictions as they attempted to secure the colonial order or, conversely, to achieve Philippine independence.

This study examines how the concept of "Korean woman" underwent a radical transformation in Korea's public discourse during the years of Japanese colonialism. Theodore Jun Yoo shows that as women moved out of traditional spheres to occupy new positions outside the home, they encountered the pervasive control of the colonial state, which sought to impose modernity on them. While some Korean women conformed to the dictates of colonial hegemony, others took deliberate pains to distinguish between what was "modern" (e.g., Western outfits) and thus legitimate, and what was "Japanese," and thus illegitimate. Yoo argues that what made the experience of these women unique was the dual confrontation with modernity itself and with Japan as a colonial power.

Shu-mei Shih inaugurates the field of Sinophone studies in this vanguard excursion into sophisticated cultural criticism situated at the intersections of Chinese studies, Asian American studies, diaspora studies, and transnational studies. Arguing that the visual has become the primary means of mediating identities under global capitalism, Shih examines the production and circulation of images across what she terms the "Sinophone Pacific," which comprises Sinitic-language speaking communities such as the People's Republic of China, Taiwan, Hong Kong, and Chinese America. This groundbreaking work argues that the dispersal of the so-called Chinese peoples across the world needs to be reconceptualized in terms of vibrant or vanishing communities of Sinitic-language cultures rather than of ethnicity and nationality.

This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920s and 1930s, Silverberg challenges the erasure of Japanese colonialism and its legacies. She evokes vivid images from daily life during the 1920s and 1930s, including details about food, housing, fashion, modes of popular entertainment, and attitudes toward sexuality. Her innovative study demonstrates how new public spaces, new relationships within the family, and an ironic sensibility expressed the attitude of Japanese consumers who identified with the modern as providing a cosmopolitan break from tradition at the same time that they mobilized for war.