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Columbia University Press
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Columbia University Germanic Studies
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Volume 22 in this series
Analyzes the work of Johann Balthasar Schupp in the context of the satire in 17th century Germany, and also deals with the various phases of form, content, and philosophical approach as they appear in other outstanding satirists of the age as well as Schupp's.
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Volume 18 in this series
Singles out the proverbs in Goethe to study them methodically and divide them in terms of their primary intent to establish the sayings prevalent in literary tradition and to determine their function as elements of literary style.
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Volume 13 in this series
Looks at the attitude toward the natural sciences expressed in German Baroque prose to indicate to what extent the German intellectual laity of the 17th century had been influenced by scientific advances.
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Studies Swiss scholar Bodmer and his treatment of ancient historical and legendary material, particularly in his ethical and political dramas.
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Explores Achim von Arnim's activities and attitude as a literary critic through an examination of all his published work and some of his unpublished essays and fragments.
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Brings together the main factors German literary naturalism in their historical setting then examines the study of Kretzer's novels which represent his naturalism.
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An overview of the development of German theatre in New York City in the nineteenth century, focusing on the influence of five major theatres. .
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Examines the influence of the works of Shelley on poets and thinkers of Germany.
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Begins by reviewing the facts of Gutzkow's personal relations with women based on autobiographical writings and correspondence then delves into his works to show that they reflect his changing experiences.
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Studies the manifestations of Fontane's interest in English Literature, to his travels to England, and ending with a comparative study of the novels of Fontane and Scott.
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Establishes the attitude which Weiland assumed with women during the various periods of his spiritual and intellectual growth and to give due prominence to the liberality of thought of his efforts to raise the cultural and social status of women.
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Studies the soliloquy in German drama from medieval church plays, through the era of Lessing, Goethe, and Schiller, the romantic drama.
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Deals with a number of heterogeneous writers bound together by a common interest in Scandinavian antiquity. Strives to characterize the interest and to collect and examine literary moments from 1810-1825 that make use of Scandinavian saga.
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Looks at the distinction between pessimism and Weltschmerz in three German poets. Then classifies the latter, both as to its origin and its form of expression and to indicate its relation to mental pathology and to social and political conditions.
