Brill's Indological Library

Urdu and Indo-Persian Thought, Poetics, and Belles Lettres, is a collection on the subject of Urdu poetics, Dastan, translation studies in Urdu, and Indo-Persian. The essays employ interdisciplinary perspectives for exploring the dynamic literary landscape of the South Asian subcontinent since the sixteenth century.
The individual topics in the collection depict a plausible picture of how the development of Urdu and Indo-Persian thoughts and poetics have influenced one another for centuries.
Contributors are: Satya Hedge, Prashant Keshavmurthy, Pasha M. Khan, Mehr Afshan Faruqi, David Lelyveld, Natalia Prigarina, Carla Petievich, Christina Oesterheld, Baidar Bakht, Frances Pritchett, Gail Minault, Ludmila Vassilieva.

Text, History, and Philosophy. Abhidharma Across Buddhist Scholastic Traditions discusses Abhidhamma / Abhidharma as a specific exegetical method. In the first part of the volume, the development of the Buddhist argumentative technique is discussed. The second part investigates the importance of the Buddhist rational tradition for the development of Buddhist philosophy. The third part focuses on some peculiar doctrinal issues that resulted from rational Abhidharmic reflections. In this way, an outline of the development of the Abhidharma genre and of Abhidharmic notions and concepts in India, Central Asia, China, and Tibet from the life time of the historical Buddha to the tenth century CE is given.

Contributors are: Johannes Bronkhorst, Lance S. Cousins, Bart Dessein, Tamara Ditrich, Bhikkhu Kuala Lumpur Dhammajoti, Dylan Esler, Eric Greene, Goran Kardaš, Jowita Kramer, Chen-kuo Lin, Andrea Schlosser, Ingo Strauch, Weijen Teng and Yao-ming Tsai.

Argument and Design features fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata’s upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it.
Contributors include: Vishwa Adluri, Joydeep Bagchee, Greg Bailey, Adam Bowles, Simon Brodbeck, Nicolas Dejenne, Sally J. Sutherland Goldman, Robert P. Goldman, Alf Hiltebeitel, Thennilapuram Mahadevan, Adheesh Sathaye, Bruce M. Sullivan, and Fernando Wulff Alonso.

Liberation is a fundamental subject in South Asian doctrinal and philosophical reflection. This book is a study of the discussion of liberation from suffering presented by Dharmakīrti, one of the most influential Indian philosophers. It includes an edition and translation of the section on the cessation of suffering according to Manorathanandin, the last commentator on Dharmakīrti’s Pramāṇavārttika in the Sanskrit cosmopolis. The edition is based on the manuscript used by Sāṅkṛtyāyana and other sources. Methodological issues related to editing ancient Sanskrit texts are examined, while expanding on the activity of ancient pandits and modern editors.

In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatrīs within their original social, political, and religious milieux. It also compares the chatrīs to other Rajput arts to understand how arts of different media targeted specific audiences.

Culture and Circulation reflects an innovative approach to early modern Indian literature. The authors foreground the complex hybridity of literary genres and social milieus, capturing elements that have eluded traditional literary history. In this book, jointly edited by Thomas de Bruijn and Allison Busch, Hindi authors rub shoulders with their Persian counterparts in the courts of Mughal India; the fame of Mirabai, a poetess from Rajasthan, travels to Punjab; the sayings of Kabir are found to be as difficult to pin down as the holy men who transmitted them. Drawing on new archives in several Indian languages, Culture and Circulation presents fresh ideas that will be of interest to scholars of Indian literature, religious studies, and early modern history.
Contributors include Stefano Pellò,Thibaut d'Hubert,Corinne Lefèvre, John Stratton Hawley, Gurinder Singh Mann, Thomas de Bruijn, Catharina Kiehnle, Allison Busch, Francesca Orsini, Heidi Pauwels, Robert van de Walle.

'Caste' is today almost universally perceived as an ancient and unchanging Hindu institution preserved solely by a deep-seated religious ideology. Yet the word itself is an importation from sixteenth-century Europe. This book tracks the long history of the practices amalgamated under this label and shows their connection to changing patterns of social and political power down to the present. It frames caste as an involuted and complex form of ethnicity and explains why it persisted under non-Hindu rulers and in non-Hindu communities across South Asia.

With Morphology and Syntax of Old Hindī scholars and students of medieval Hindī literature acquire an essential tool for learning one of its important but difficult dialects, the so called sadhukkarī bhāshā. Based on an early Rājasthānī manuscript, the volume includes a commented edition of one hundred poems attributed to medieval mystic and thinker Kabīr, followed by a detailed treatment of morphological structure and main syntactic features of the language. The exposition is accompanied by numerous textual examples and index of all lexical and grammatical morphs.
The book can be used as a descriptive grammar of the dialect in question, an aid to the study of historical development of New Indo-Aryan languages, and a reader for use in university courses.

Since the dramatic discovery and tragic destruction of the monument in the 19th century, the Amarāvatī stūpa in the south-east Deccan has attracted many scholars but has also left many unanswered questions. Akira Shimada's Early Buddhist Architecture in Context provides an updated and comprehensive chronology of the stūpa and its architectural development based on the latest sculptural, epigraphic and numismatic evidence combined with the survey of the early excavation records. It also examines the wider social milieu of the south-east Deccan by exploring archaeological, epigraphic and related textual evidence. These analyses reveal that the flowering of the stūpa was not a simple accomplishment of the powerful Sātavāhana dynasty, but was the result of the long-term development of urbanization of this region between ca. 200 BCE-250 CE.

In Narmadāparikramā. Circumambulation of the Narmadā River Jürgen Neuss offers for the first time a comprehensive study of the Narmadāparikramā, a singular Hindu pilgrimage, which comprises the complete circumambulation of the Central Indian river Narmadā. Following a brief general introduction, the first part of the book comprises a text-historical analysis of the Sanskrit texts which are traditionally regarded as the basis for this rite. The second part represents a synoptic translation of two modern pilgrims’ handbooks in Hindi, which link the mythological place names of the Sanskrit texts with actual geographical locations. Part three consists of synopses of available Sanskrit source texts, and the concluding part summarizes the many-fold findings and results of the study in thematically arranged maps.

This volume, the outcome of a seminar organized at the International Institute for Asian Studies, Leiden, marks an important advancement in the study of South Indian Sanskrit manuscripts which are predominantly on palm leaf and rarely older than three to four centuries. Nevertheless, they continued a manuscript culture for around two millennia and had a profound impact on traditions of knowledge and culture. After an introductory essay (by J.E.M. Houben and S. Rath) addressing theoretical and historical issues of text transmission in manuscripts and in India’s remarkably strong oral memory culture, it contains twelve contributions dealing with South Indian manuscript collections in India and Europe (mainly of Vedic and Sanskrit texts) and with problems related to the scripts, the dating of manuscripts and India's literary and intellectual history.
Contributors include: G. Colas, A.A. Esposito, M. Fujii, C. Galewicz, J.E.M. Houben, H. Moser, P. Perumal, K. Plofker, S. Rath, S.R. Sarma, D. Wujastyk, K.G. Zysk

Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain artistic and devotional practices at the rock-cut site of Ellora in Maharashtra, India. Created during the ninth and tenth centuries, Ellora's Jain caves are among the best-preserved examples of medieval Jain art in India. While this book briefly addresses traditional art historical issues of date and iconography, it primarily considers the articulation of sacred space within the caves and the role of imagery in shaping devotional practices. Building upon scholarship that examines Jainism within its larger South Asian context, this book also explores connections between the Jain monuments and their Hindu and Buddhist counterparts to reveal a lived religious world at Ellora.

The authors in this volume explore Indo-Muslim cultures developing in South Asia from the sixteenth through twentieth centuries, sharing central themes but showing significant contextual variations by time and place. They focus a much-needed analytical gaze on the rich layers of circulation and exchange of art, architecture, and literature within South Asia and testify to the interaction of Muslims and Islamic traditions with other people and traditions in India for centuries.

This book studies the early development of Skanda-Kārttikeya’s Hindu cult from its earliest textual and material sources to the end of the Gupta Empire in the north of India. The text argues that Skanda’s early ‘popular’ cult is found in Graha and Mātṛ traditions oriented towards appeasing potentially dangerous spirits. Once propitiated, however, Skanda and his Grahas/ Mātṛs could become fierce protectors of their followers. During the Kuṣāṇa and Gupta empires, this tradition gains the attention of rulers, who transform the deity’s protective cult into one focused on the ruler’s military prowess and right to rule. Once detached from his former popular traditions the deity’s cult begins to falter in the north as it becomes increasingly focused on elite agendas.

A neglected topic in the research on yoga and meditation traditions, the extraordinary capacities called yoga powers are at the core of the religious imagination in the history of religions in South Asia. Yoga powers explained the divine, the highest gods were thought of as great yogins, and since major religious traditions considered their attainment as an inevitable part of the salvific process the textual traditions had to provide rational analyses of the powers. The essays of the book provide a number of new insights in the yoga powers and their history, position and function in the Hindu, Buddhist and Jain traditions, in classical Yoga, Haṭha Yoga, Tantra and Śaiva textual traditions, in South Asian medieval and modern hagographies, and in some contemporary yoga traditions.

For a number of centuries Indian philosophers of all persuasions were convinced that there was a particularly close connection between language and reality, also, or even primarily, between sentences and the situations they describe. This shared conviction was responsible for a perceived problem. Different currents in Indian philosophy can be understood as different attempts to solve this problem; these include the satkāryavāda of the Sāṃkhyas, the anekāntavāda of the Jainas, the śūnyavāda of the Buddhists, and many others. By bringing to light the shared problem underlying almost all schools of Indian philosophy, this book shows the interconnectedness of currents that had hitherto been thought of as quite independent of each other.

This is a study that focuses on the art and architecture of a group of Buddhist rock-cut monuments excavated on the western edge of the Deccan Plateau in India. It analyses the various cultural, historical and religious phenomena that shaped the caves at Aurangabad through the first seven centuries of the Common Era and it comments on the Buddhist tradition of the western Deccan as a whole. The result is a comprehensive work that does not address exclusively iconography and chronology, but looks beyond Aurangabad to the larger artistic and religious traditions of the Indian Subcontinent.

Scholarship on the pre-Bentinck period of Indian history has taken little notice of the inevitable dilemmas of colonial rule as they became visible in the districts. This book argues that the disdain the eighteenth-century Westminster parliaments expressed both for Indians and the East India Company induced the Bengal civil service to formulate for itself a corporate identity that, because of its distant and self-centered character, prevented it to acquire an executive hold on most levels of the Indian administration. The core of the book consists of superbly-detailed studies of the ways in which, in the Ganges-Jumna doab, villagers, revenue farmers, Indian policemen and revenue officials, bankers and judges struggled to overcome or profit from this feature of the colonial administration.

In Pakistan's northwest, a sequence of temples built between the sixth and the tenth centuries provides a missing chapter in the evolution of the Hindu temple in South Asia. Combining some elements from Buddhist architecture in Gandharā with the symbolically powerful curvilinear Nāgara tower formulated in the early post-Gupta period, this group stands as an independent school of that pan-Indic form, offering new evidence for its creation and original variations in the four centuries of its existence. Drawing on recent archaeology undertaken by the Pakistan Heritage Society as well as scholarship from the Encyclopaedia of Indian Temple Architecture project, this volume finally allows the Salt Range and Indus temples to be integrated with the greater South Asian tradition.

While numerous studies exist on major South-Asian temples, surprisingly little is known about ‘minor shrines’ and ‘lesser states’. Here fifty-five new documents, in a western-Himalayan script and language, and belonging to a small Siddha shrine, redress this remarkable gap in our knowledge. The documents cover a wide spectrum—from revenue grants to those dealing with ritual, pilgrimage, legality and temple-economy—thus building a picture of the relationship between state and shrine, and particularly so for the minor centres: their popularity and relationship with major temples; mundane matters; notices, petitions, and law-suits. It becomes clear how ‘lesser states’, despite their limited resources, patronized numerous small shrines, along with major temples; and the role played by the Nath-Siddha-ascetics in creating consent-to-rule, acculturation, and constructing hybridity between the Hindu and Tibetan-Buddhist traditions.

The Upaniṣads have often been treated as a unified corpus of religious and philosophical texts, separate from the older Vedic tradition. It is well known that the Upaniṣads were initially composed and transmitted within specific schools of Vedic recitation, or Śākhās, but the Śākhā affiliation of each Upaniṣad has received very little attention in the scholarly literature. The author offers a new interpretation of the older Upaniṣads in the light of the Vedic school affiliations of each text. This book argues that issues of textual authority, and in particular the authority of the various Vedic schools, are central in the Upaniṣads, and that the Upaniṣads can, on one level, be read as texts about text. While analyzing the theme of textual authority in the Upaniṣads, the author also outlines a theory of textual criticism as applied to orally transmitted texts that will be of use to textual scholars in other fields as well.

In the early 1880s a disastrous plant disease diminished the yields of the hitherto flourishing coffee plantation of Ceylon. Coincidentally, world market conditions for coffee were becoming increasingly unfavourable. The combination of these factors brought a swift end to coffee cultivation in the British crown colony and pushed the island into a severe economic crisis.
When Ceylon re-emerged from this crisis only a decade later, its economy had been thoroughly transformed and now rested on the large-scale cultivation of tea. This book uses the unprecedented intensity and swiftness of this process to highlight the socioeconomic interconnections and dependencies in tropical export economies in the late nineteenth century and it shows how dramatically Ceylonese society was affected by the economic transformation.

The Āpaddharmaparvan, 'the book on conduct in times of distress', is an important section of the great Sanskrit epic the Mahābhārata which, despite its significance for Mahābhārata studies and for the history of Indian social and political thought, has received little attention in scholarly literature. This book places the Āpaddharmaparvan within its literary and ideological contexts. In so doing it explores the development of a conception of brahmanic kingship morally justifiable within the terms of a debate largely set by various alternative social movements of the period. This book further explores the implications for our understanding of the Mahābhārata that follow from the Āpaddharmaparvan's presentation as a poetically cohesive unit within itself and within the wider parameters of the Mahābhārata.

This is a fascinating depiction of the transformation of the Indian riverine goddess from the manuscript-carrying vīṇā-player to the Buddhist weapon-wielding defender of the Dharma.
Drawing on Sanskrit and Chinese textual sources, as well as Hindu, Jain, and Buddhist art historical representations, this book traces the conceptual and iconographic development of the riverine goddess of knowledge Sarasvatī from some time after 1750 B.C.E. to the seventh century C.E. Through the study of Chinese translations of no longer extant Sanskrit versions of the Buddhist Sutra of Golden Light the author sheds light on Sarasvatī's interactions with other Indian goddess cults and their impact on one another.

As in various other cultures, in the Hindu tradition of the Indian Subcontinent construction rituals accompany the construction of a temple, from the moment of choosing the suitable building site, right to the completion of the entire project. Numerous descriptions in Sanskrit texts on ritual and architecture describe in detail these building consecration ceremonies and reflect the importance attached to these rituals. Surprisingly, this topic has so far not received the attention it deserves given its essential role.
Basing herself on both the Sanskrit texts, as well as the archaeological finds, Anna A. Ślączka in this thorough study provides readers with a comprehensive view of the three main temple construction rituals in the Hindu tradition of South and Southeast Asia.