Series
Song Studies
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Volume 2 in this series
This book presents the first in-depth exploration of the relationship between music, rhetoric and Christian Hebraism, by re-appraising the significance of the “first German humanist” Johannes Reuchlin’s study of Kabbalah and cantillation in the light of Renaissance rhetoric.
Few studies have investigated how Renaissance humanists learned Hebrew language for the delivery (pronuntiatio) of the Hebrew Bible as an aural-oral tradition. Hyun-Ah Kim examines the way in which ‘grammarian-philosopher’ Reuchlin reconstructed the modulata recitatio of the Hebrew Bible and its underlying intellectual foundation. Consequently, Kim demonstrates the hitherto neglected Hebraic aspect of Renaissance rhetoric and its mystical implications that played a vital role in shaping a new theoretical framework for the ‘art of accented singing,’ an art which has changed European musical culture ever since. Music, Rhetoric and Christian Hebraism in Early Modern Europe elucidates why this nexus is essential for understanding the integral relationship between music, language and theological philosophy.
Few studies have investigated how Renaissance humanists learned Hebrew language for the delivery (pronuntiatio) of the Hebrew Bible as an aural-oral tradition. Hyun-Ah Kim examines the way in which ‘grammarian-philosopher’ Reuchlin reconstructed the modulata recitatio of the Hebrew Bible and its underlying intellectual foundation. Consequently, Kim demonstrates the hitherto neglected Hebraic aspect of Renaissance rhetoric and its mystical implications that played a vital role in shaping a new theoretical framework for the ‘art of accented singing,’ an art which has changed European musical culture ever since. Music, Rhetoric and Christian Hebraism in Early Modern Europe elucidates why this nexus is essential for understanding the integral relationship between music, language and theological philosophy.
Book
Requires Authentication
Unlicensed
Licensed
Volume 1 in this series
Politics of Feeling in Songs of the Dutch Revolutionary Period sheds new light on the intertwined history of music and politics by exploring Dutch political songs. In the emotionally charged climate of the Dutch revolutionary period at the close of the eighteenth century, songs became a powerful medium, speaking directly to people’s bodies to engage them in political action. Emphasizing the performative nature of the songs and the interplay between imagination and embodied expression in singing practices, this book shows how beyond merely creating communities, the songs were also instrumental in mobilizing, imagining, and affirming these collectives. It uncovers the diverse roles of these songs, showing how they were used both to polarize and to unite, to mourn and to celebrate. They were employed to imagine and to embody togetherness throughout the Dutch revolutionary period, thereby creating a fixed repertoire of feelings on which various political regimes of that time relied.
