Expressives like damn and bastard have, when uttered, an immediate and powerful impact on the context. They are performative, often destructively so. They are revealing of the perspective from which the utterance is made, and they can have a dramatic impact on how current and future utterances are perceived. This, despite the fact that speakers are invariably hard-pressed to articulate what they mean. I develop a general theory of these volatile, indispensable meanings. The theory is built around a class of expressive indices. These determine the expressive setting of the context of interpretation. Expressive morphemes act on that context, actively changing its expressive setting. The theory is multidimensional in the sense that descriptives and expressives are fundamentally different but receive a unified logical treatment.
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Requires Authentication UnlicensedThe expressive dimensionLicensedOctober 16, 2007
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Requires Authentication UnlicensedRe-expressing judgmentLicensedOctober 16, 2007
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Requires Authentication UnlicensedReally fucking brilliantLicensedOctober 16, 2007
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Requires Authentication UnlicensedFilling the emotion gap in linguistic theory: Commentary on Potts' expressive dimensionLicensedOctober 16, 2007
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Requires Authentication UnlicensedExpressives, perspective and presuppositionLicensedOctober 16, 2007
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Requires Authentication UnlicensedBeyond unpluggabilityLicensedOctober 16, 2007
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Requires Authentication UnlicensedExpressive presuppositionsLicensedOctober 16, 2007
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Requires Authentication UnlicensedI like that damn paper – Three comments on Christopher Potts' The expressive dimensionLicensedOctober 16, 2007
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Requires Authentication UnlicensedThe centrality of expressive indicesLicensedOctober 16, 2007