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Volume 5, Issue 1
December 2012
Contents
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Publicly AvailableMastheadDecember 18, 2012
- Thematic Focus: Shakespeare in German Culture / Themenschwerpunkt: Shakespeare in deutscher Kultur
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Requires Authentication UnlicensedShakespeare and Stefan George’s CircleLicensedDecember 18, 2012
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Requires Authentication UnlicensedMade in Germany: Shakespeare’s SonnetsLicensedDecember 18, 2012
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Requires Authentication Unlicensed“What should the wars do with these jigging fools?”: Eta Harich-Schneider (1894 – 1986): German harpsichordist, musician and translator of Shakespeare’s Sonnets in Tokyo during World War IILicensedDecember 18, 2012
- Other Contributions / Weitere Beiträge
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Requires Authentication UnlicensedGermania and Great(er) Britain: German Scholarship and the Legitimization of the British EmpireLicensedDecember 18, 2012
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Requires Authentication UnlicensedA Portrait of a European Cultural Exchange: The Deutsches Theater in London at the Turn of the Twentieth CenturyLicensedDecember 18, 2012
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Requires Authentication UnlicensedFriends and Enemies: The Freier Deutscher Kulturbund and the British, 1938 – 1946LicensedDecember 18, 2012
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Requires Authentication UnlicensedLet Thy Moon Arise: On Friedl BenediktLicensedDecember 18, 2012
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Requires Authentication UnlicensedKate Bosse-Griffiths: Dy bobl di fydd fy mhobl i / Thy people shall be my peopleLicensedDecember 18, 2012
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Requires Authentication Unlicensed“Alpha-Mädchen sind wir alle”: Subjectivity, Agency and Solidarity in Anglo-American and German Popfeminist WritingLicensedDecember 18, 2012
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Requires Authentication UnlicensedReviews / RezensionenLicensedDecember 18, 2012
