An Anarchitectural Body of Work
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Friederike Schäfer
About this book
The artist, dancer and educator Suzanne Harris (1940-79) was a protagonist of the downtown New York City artists’ community in the 1970s. With her boundary-transgressing practice, she played a decisive part in avant-garde projects, such as the Anarchitecture group, 112 Greene Street, FOOD, and the Natural History of the American Dancer. Harris furthermore participated in the Heresies editorial collective. Nevertheless, her own oeuvre fell into abeyance.
Friederike Schäfer reconstructs Harris’s dispersed, postminimalist body of work, which broke the mold of art categories, art practices, art spaces, and the common notion of space. The author draws on post-Marxist feminist theory to trace how Harris transcended both sculpture and dance to create site-specific, ephemeral installations.
Recipient of the Terra Foundation for American Art International Publication Grant 2021
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Frontmatter
1 -
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TABLE OF CONTENTS
4 -
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INTRODUCTION, OR BREAKING NEW GROUND(S)
7 - HARRIS’S SPATIAL PRACTICES: BETWEEN ANARCHITECTURE AND SPACE‑TIME
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Introduction
33 -
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The Materialities and the Materialism of Space
53 -
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Anarchitecture as Paradigm
105 -
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SoHo: The Making of New Space(s) and Places
109 -
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Claiming Space(s)—Producing Places
133 - SPACES IN MOTION: HARRIS’S “DIALECTIC WITH SPACE”
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Introduction
139 -
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Bodies in Motion: Dance in Relation to Sculpture
148 -
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Motion as Object: Sculpture in Relation to Dance
198 -
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In Motion: Ephemeral Installations
240 -
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Cyclic Processes: The Absent Bodies of Harris’s Body of Work
273 - LOCUS: THE MAKING OF A PLACE IN FLUX
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Introduction
291 -
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LOCUS and the Archaeology of a New Site
298 -
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LOCUS and the Notion of Site
304 -
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LOCUS and Urban Politics
309 -
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LOCUS and the Production of Space
314 -
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LOCUS and Public Art
321 -
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BY WAY OF CONCLUSION: UNFINISHED BUSINESS, OR SPACES IN ETERNAL FLUX
341 -
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ACKNOWLEDGEMENTS
357 -
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BIBLIOGRAPHY
359 -
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LIST OF ILLUSTRATIONS
368 -
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INDEX
371
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