Specters of War: Hollywood's Engagement with Military Conflict

Elisabeth Bronfen

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Specters of War

Hollywood's Engagement with Military Conflict

Language: English

Published/Copyright: 2012

About this book

Specters of War looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century and into the twenty-first. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

Such cultural reflection is particularly poignant when it deals with America’s traumatic history of war. The nation has no direct access to war as a horrific experience of carnage and human destruction; we understand our relation to it through images and narratives that transmit and interpret it for us. Bronfen does not discuss actual conflicts but the films by which we have come to know and remember them, including All Quiet on the Western Front, The Best Years of Our Lives, Miracle at St. Anna, The Deer Hunter, and Flags of Our Fathers. Battles and campaigns, the home front and women-who-wait narratives, war correspondents, and court martials are also explored as instruments of cultural memory. Bronfen argues that we are haunted by past wars and by cinematic re-conceptualizations of them, and reveals a national iconography of redemptive violence from which we seem unable to escape.

Author / Editor information

ELISABETH BRONFEN is a professor of English and American studies at the University of Zurich. She is the author of Over Her Dead Body: Death, Femininity and the Aesthetic; The Knotted Subject: Hysteria and its Discontents; and Home in Hollywood: The Imaginary Geography of Cinema.

Reviews

"In Defense of Errol Morris's 'Standard Operating Procedure'" by Daniel Clarkson Fisher mention of Specters of War

— PopMatters

"In this aerial reconnaissance of an entire century's filmmaking, Bronfen's high-powered lens examines both obvious battle zones and camouflaged violence in various psychic deflections. Movingly, and with rare command, mission accomplished."

— Garrett Stewart, author of Framed Time: Toward a Postfilmic Cinema

"In this accessible volume, Bronfen does a remarkable job of locating the point at which filmed representations of modem warfare intersect with popular culture. Recommended."

— Choice

"...a thoughful addition to the literature of cinema and war. Spectars of War is clearly structured and stylishly written."

— Journal of American History

"Ranging from Griffith to Eastwood, Bronfen's meticulous readings discern where film and history bear decisively upon each other. Informative and unsettling, composed and written with unsparing force and clarity, Specters of War is a compelling and enduring contribution to film studies."

— Tom Conley, author of An Errant Eye

"In Elisabeth Bronfen's important new book, war is remembered through genre, with combat and its aftermath leaving an imprint on a startling range of films. Nowhere has the impact of war on cultural life been more vividly defined."

— Robert Burgoyne, author of The Hollywood Historical Film

Topics

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Frontmatter
i

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Contents
vii

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Acknowledgments
ix

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Introduction
1

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1. Unfinished Business of the Civil War
16

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2. Home and Its Discontent
43

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3. War Entertainment
74

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4. Choreography of Battle
107

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5. Reporting the War
144

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6. Court-Martial Drama
169

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7. War’s Sustained Haunting
196

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Conclusion
233

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Notes
243

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Selected Bibliography
265

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Filmography
271

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Index
275

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Publishing information

Pages and Images/Illustrations in book

eBook published on:

June 22, 2020

eBook ISBN:

9780813553993

Pages and Images/Illustrations in book

https://doi.org/10.36019/9780813553993

eBook ISBN: 9780813553993

Keywords for this book

Film; Media Studies; Communications; American; America; United States; performing arts; video; history; criticism; war; screen; genre; historical; moment; 20th century; twentieth century; Elisabeth Bronfen; Hollywood; national; national narratives; audience; engagement; fantasies; ideologies; anxieties; political climate; change; culture; cultural reflection; trauma; history of war; nation; direct access; experience; horrific; carnage; human destruction; conflict; escape; destruction; conflicts; films; interpret; All Quiet on the Western Front; The Best Years of Our Lives; Miracle at St. Anna; The Deer Hunter; Flags of Our Fathers; Battles’ campaigns; home front; women who wait; narratives; war correspondents; court; court martials; cultural memory; past wars; haunted; cinematic; re-conceptualizations; reconceptualizations; iconography; violence; civil war; war entertainment; choreography; choreography of battle; drama; historical moments; twentieth century and into the twenty-first; Military; military conflict

Audience(s) for this book

For an expert adult audience, including professional development and academic research

Rutgers University Press

Specters of War

Overview

About this book

Author / Editor information

Reviews

Topics

Table of contents

Frontmatter

Contents

Acknowledgments

Introduction

1. Unfinished Business of the Civil War

2. Home and Its Discontent

3. War Entertainment

4. Choreography of Battle

5. Reporting the War

6. Court-Martial Drama

7. War’s Sustained Haunting

Conclusion

Notes

Selected Bibliography

Filmography

Index

Bibliographic data