Harvard University Press
To Live and Defy in LA
About this book
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis.
How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land.
But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age.
By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.
Reviews
-- LA Weekly
-- Under the Radar
-- KQED
-- Raymond Cummings The Wire
-- Los Angeles Review of Books Radio Hour
-- Deanna Costa Arts Fuse
-- Hua Hsu, author of A Floating Chinaman: Fantasy and Failure across the Pacific
-- Katherine Rye Jewell The Metropole
-- L.A. Taco
-- Epiphany
-- New Books Network
-- Gerald Horne Southern California Quarterly
-- Nicholas Stoia Criminal Law and Criminal Justice Books
-- Austin McCoy Pacific Historical Review
-- James G. McNally Journal of Popular Music Studies
Topics
-
Download PDFPublicly Available
Frontmatter
i -
Download PDFPublicly Available
CONTENTS
vii -
Download PDFPublicly Available
PREFACE
ix -
Download PDFRequires Authentication UnlicensedLicensed
INTRODUCTION. They Don’t Even Know
1 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER 1 . The Batterram
17 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER 2 . Hardcore LA
62 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER 3 . The Boys in the Hood Are Always Hard
112 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER 4 . Somebody’s Gonna Pay Attention
157 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER 5 . Without a Gun and a Badge
208 -
Download PDFRequires Authentication UnlicensedLicensed
CONCLUSION . LA County Blues
256 -
Download PDFRequires Authentication UnlicensedLicensed
NOTES
267 -
Download PDFRequires Authentication UnlicensedLicensed
ACKNOWLEDGMENTS
315 -
Download PDFRequires Authentication UnlicensedLicensed
INDEX
321