Harvard University Press
About Faces
About this book
When nineteenth-century Londoners looked at each other, what did they see, and how did they want to be seen? Sharrona Pearl reveals the way that physiognomy, the study of facial features and their relationship to character, shaped the way that people understood one another and presented themselves.
Physiognomy was initially a practice used to get information about others, but soon became a way to self-consciously give information—on stage, in print, in images, in research, and especially on the street. Moving through a wide range of media, Pearl shows how physiognomical notions rested on instinct and honed a kind of shared subjectivity. She looks at the stakes for framing physiognomy—a practice with a long history—as a science in the nineteenth century.
By showing how physiognomy gave people permission to judge others, Pearl holds up a mirror both to Victorian times and our own.
Reviews
-- Alan Collins Times Higher Education Supplement
-- Sander L. Gilman Bulletin of the History of Medicine
-- Peter Galison, Harvard University
-- Alison Winter, author of Mesmerized: Powers of Mind in Victorian Britain
Topics
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Frontmatter
i -
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Contents
v -
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Figures
vii -
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Acknowledgments
ix -
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Introduction: Face Facts
1 -
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1. Pocket Physiognomy: Sense in the City
26 -
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2. Performing Physiognomy: Imitating Art and Life
57 -
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3. Portrait Physiognomy: Communicating Character
84 -
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4. Caricature Physiognomy: Imaging Communities
106 -
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5. Photographic Physiognomy: Through a Mediated Mirror
148 -
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6. Diagnostic Physiognomy: From Phrenology to Fingerprints
186 -
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Conclusion: Seeing Ourselves
213 -
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Notes
227 -
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Index
279