Columbia University Press
The Severed Head
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Julia Kristeva
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Translated by:
Jody Gladding
About this book
Author / Editor information
Julia Kristeva is professor emerita of linguistics at the Université de Paris VII. A renowned psychoanalyst, philosopher, and linguist, she has written dozens of books spanning semiotics, political theory, literary criticism, gender and sex, and cultural critique, as well as several novels and autobiographical works, published in English translation by Columbia University Press. Kristeva was the inaugural recipient of the Holberg International Memorial Prize in 2004 “for innovative explorations of questions on the intersection of language, culture, and literature.”Julia Kristeva is professor emerita of linguistics at the Université de Paris VII. A renowned psychoanalyst, philosopher, and linguist, she has written dozens of books spanning semiotics, political theory, literary criticism, gender and sex, and cultural critique, as well as several novels and autobiographical works, published in English translation by Columbia University Press. Kristeva was the inaugural recipient of the Holberg International Memorial Prize in 2004 “for innovative explorations of questions on the intersection of language, culture, and literature.”
Jody Gladding is a poet who has translated more than twenty works from French.
Reviews
The Severed Head is a reminder that art can be the best teacher, particularly when the topic is an uncomfortable one.
Through her wonder and her doubt, Kristeva sets forth a compelling account of the sacred and of the intimate visionary capacity of the human soul.
A text that deserves to be read closely not only by Kristeva scholars but also by those working in aesthetics, psychoanalysis, and social theory more generally.
A sinewy meditation that works its way through historical periods and modes of representation.
The Severed Head considers a remarkable range of representations of the severed head in art historical, religious, and mythological contexts.
Topics
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Frontmatter
i -
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CONTENTS
ix -
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FOREWORD
xi -
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ALIBI?
xiii -
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1 ON DRAWING; OR, THE SPEED OF THOUGHT
1 -
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2 THE SKULL
8 -
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3 WHO IS MEDUSA?
25 -
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4 THE TRUE IMAGE
33 -
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5 A DIGRESSION
42 -
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6 THE IDEAL FIGURE; OR, A PROPHECY IN ACTUALITY
59 -
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7 BEHEADINGS
85 -
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8 FROM THE GUILLOTINE TO THE ABOLITION OF CAPITAL PUNISHMENT
101 -
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9 POWERS OF HORROR
112 -
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10 THE FACE AND THE EXPERIENCE OF LIMITS
128 -
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NOTES
139 -
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INDEX
155