Scalability and its Limits in Photography and (Digital) Sculpture
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Edited by:
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About this book
This anthology investigates scaling practices as a cultural technique, emphasizing measuring, scanning, transforming, and projecting objects in time and space. It explores the complex intersections between two- and three-dimensionality from the perspectives of art history, visual studies, and media studies. Special attention is paid to photography and (digital) sculpture, two increasingly intertwined fields. The concept of merging dimensions is now cutting-edge in both contemporary digitized photography and digital sculpture. The anthology also delves into the limits of scalability, the aesthetics of disruption, and the glitches that can occur when pushing these boundaries.
Author / Editor information
Topics
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Frontmatter
1 -
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Contents
6 -
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Acknowledgments
8 -
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Scalability
10 - I. The (Physical) Object: Challenging Static Conceptions of Size and Scale
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Drifting Images
32 -
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The Scale of Memory—the Size of Memorials
48 -
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Roleplay/Scaleplay—The Eameses’ Visual Transformations of Reality
62 -
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All Architects Model
80 - II. The Sculptural versus the Photographic
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Visual Essay
94 -
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Monumental Images
112 -
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Monuments and Miniatures in the Photogrammetric Imagination
128 - III. The Digital Shift: Sculpture in a Virtual Context. The Sculptural and the Virtual
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Monuments in Public Spaces, their Perception, and Reproduction in 2 and 3D
146 -
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Cells, Constellations, Families of Forms
162 -
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Scaling the Future?
178 -
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Credits
196
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
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