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Music and Desire among the Austro-German Romantics
Beethoven, Schubert, Wagner, Brahms, and the Schumanns
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Chris Walton
Language:
English
Published/Copyright:
2025
About this book
Investigates the composition and reception of works by key Romantics such as Beethoven, Schubert, Brahms, Wagner and the Schumanns with attention to the role of sexual desire in the composers' lives and music.
Scholars have for several decades been devoting increasing attention to aspects of sexuality and desire in the music of the Austro-German Romantics. Undertaking a close analysis of the sources, the four chapters of this book show how our assumptions about what those composers desired are often in fact contingent on what we, their commentators, have wanted them to desire over the course of reception history. Beethoven's Fidelio and Schubert's Winterreise tend to be regarded as a hymn to freedom, on the one hand, and an interior monologue of an alienated lover, on the other, though in neither case does such a view correspond to what the composer intended. In contrast, Richard Wagner dismissed his own opera The Ban on Love as a youthful indiscretion extolling the "free love" of the Young German movement; but he was reinterpreting an early work to align it with his later aesthetic.
The final chapter examines the chronology of the friendship of Robert and Clara Schumann and Johannes Brahms in order to discern the likely truths about their triangular relationship before and after Robert Schumann's incarceration in a mental asylum. By adhering to the sources and placing them in the social, linguistic, and geographical contexts of their time, author Chris Walton grants all these protagonists a greater agency of desire than has hitherto been the case.
Scholars have for several decades been devoting increasing attention to aspects of sexuality and desire in the music of the Austro-German Romantics. Undertaking a close analysis of the sources, the four chapters of this book show how our assumptions about what those composers desired are often in fact contingent on what we, their commentators, have wanted them to desire over the course of reception history. Beethoven's Fidelio and Schubert's Winterreise tend to be regarded as a hymn to freedom, on the one hand, and an interior monologue of an alienated lover, on the other, though in neither case does such a view correspond to what the composer intended. In contrast, Richard Wagner dismissed his own opera The Ban on Love as a youthful indiscretion extolling the "free love" of the Young German movement; but he was reinterpreting an early work to align it with his later aesthetic.
The final chapter examines the chronology of the friendship of Robert and Clara Schumann and Johannes Brahms in order to discern the likely truths about their triangular relationship before and after Robert Schumann's incarceration in a mental asylum. By adhering to the sources and placing them in the social, linguistic, and geographical contexts of their time, author Chris Walton grants all these protagonists a greater agency of desire than has hitherto been the case.
Author / Editor information
Contributor: Chris Walton
CHRIS WALTON teaches music history at the Basel Academy of Music in Switzerland, is an Honorary Professor at Africa Open Institute (Stellenbosch University in South Africa) and runs a research project at the Bern Academy of the Arts for the Swiss National Science Foundation.
Topics
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Frontmatter
i -
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Contents
vii -
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List of Figures
ix -
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Acknowledgments
xi -
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Introduction
1 -
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Chapter One Hope for Ludwig in Leonore’s never-land
6 -
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Chapter Two The lonely passions of Schubert’s winter swagman
72 -
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Chapter Three Banns of love
123 -
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Chapter Four The talented Mr. Brahms, Clara’s fullest friend
154 -
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Afterword
221 -
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Bibliography
227 -
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Index
251
Publishing information
Pages and Images/Illustrations in book
eBook published on:
June 17, 2025
eBook ISBN:
9781805436904
Pages and Images/Illustrations in book
eBook ISBN:
9781805436904
Keywords for this book
Austro-German Romanticism; Beethoven; Schubert; Brahms; Wagner; Schumanns; Sexual Desire; Music Analysis; Reception History; 19th Century; Romantic Composers; Triangular Relationship
Audience(s) for this book
For an expert adult audience, including professional development and academic research
