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Chapter 4. “No Sinister Nor No Awkward Claim”: Theatrical Contexts and Preposterous Recalls in Henry V
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Patricia Parker
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Introduction 1
- Chapter 1. Preposterous Reversals, Latter Ends: Language and Contexts in Love’s Labor’s Lost 32
- Chapter 2. Mastering Bianca, Preposterous Constructions, and Wanton Supposes: The Taming of the Shrew 79
- Chapter 3. Multilingual Quinces and A Midsummer Night’s Dream: Visual Contexts, Carpenters’ Coigns, Athenian Weddings 123
- Chapter 4. “No Sinister Nor No Awkward Claim”: Theatrical Contexts and Preposterous Recalls in Henry V 151
- Chapter 5. What’s in a Name? Brabant and the Global Contexts of Othello 210
- Chapter 6. Intimations of Ganymede in Cymbeline 273
- Notes 299
- Index 389
- Acknowledgments 407
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Introduction 1
- Chapter 1. Preposterous Reversals, Latter Ends: Language and Contexts in Love’s Labor’s Lost 32
- Chapter 2. Mastering Bianca, Preposterous Constructions, and Wanton Supposes: The Taming of the Shrew 79
- Chapter 3. Multilingual Quinces and A Midsummer Night’s Dream: Visual Contexts, Carpenters’ Coigns, Athenian Weddings 123
- Chapter 4. “No Sinister Nor No Awkward Claim”: Theatrical Contexts and Preposterous Recalls in Henry V 151
- Chapter 5. What’s in a Name? Brabant and the Global Contexts of Othello 210
- Chapter 6. Intimations of Ganymede in Cymbeline 273
- Notes 299
- Index 389
- Acknowledgments 407