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Conclusion. Science, Cinema, and the Malice of Objects
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Andreas Killen
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Chapters in this book
- Frontmatter i
- Contents v
- Abbreviations vii
- Introduction. Human Science and Cinema in Germany After the Great War 1
- Chapter 1. Cinema and the Visual Culture of the Human Sciences 23
- Chapter 2. Film Reform, Mental Hygiene, and the Campaign Against “Trash,” 1912–34 65
- Chapter 3. Hypnosis, Cinema, and Censorship in Germany, 1895–1933 103
- Chapter 4. What Is an Enlightenment Film? Cinema and Sexual Hygiene in Interwar Germany 137
- Chapter 5. Scientific Cinema Between Enlightenment and Superstition, 1918–41 164
- Conclusion. Science, Cinema, and the Malice of Objects 195
- Notes 205
- Bibliography 247
- Index 261
- Acknowledgments 267
Chapters in this book
- Frontmatter i
- Contents v
- Abbreviations vii
- Introduction. Human Science and Cinema in Germany After the Great War 1
- Chapter 1. Cinema and the Visual Culture of the Human Sciences 23
- Chapter 2. Film Reform, Mental Hygiene, and the Campaign Against “Trash,” 1912–34 65
- Chapter 3. Hypnosis, Cinema, and Censorship in Germany, 1895–1933 103
- Chapter 4. What Is an Enlightenment Film? Cinema and Sexual Hygiene in Interwar Germany 137
- Chapter 5. Scientific Cinema Between Enlightenment and Superstition, 1918–41 164
- Conclusion. Science, Cinema, and the Malice of Objects 195
- Notes 205
- Bibliography 247
- Index 261
- Acknowledgments 267