Presented to you through Paradigm Publishing Services
Manchester University Press
Book
Licensed
Unlicensed
Requires Authentication
Cultures of decolonisation
Transnational productions and practices, 1945–70
-
Edited by:
and
Language:
English
Published/Copyright:
2016
About this book
Cultures of decolonisation combines studies of visual, literary and material cultures in order to explore the complexities of the ‘end of empire’ as a process. Where other accounts focus on high politics and constitutional reform, this volume reveals the diverse ways in which cultures contributed to wider political, economic and social change.
This book demonstrates the transnational character of decolonisation, thereby illustrating the value of comparison – between different cultural forms and diverse places – in understanding the nature of this wide-reaching geopolitical change. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art and interior design, alongside institutions such as artists’ groups, language agencies and the Royal Mint, across Africa, Asia, the Caribbean and Europe. Offering a range of disciplinary perspectives, these contributions provide revealing case studies for those researching decolonisation across the humanities and social sciences.
This book demonstrates the transnational character of decolonisation, thereby illustrating the value of comparison – between different cultural forms and diverse places – in understanding the nature of this wide-reaching geopolitical change. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art and interior design, alongside institutions such as artists’ groups, language agencies and the Royal Mint, across Africa, Asia, the Caribbean and Europe. Offering a range of disciplinary perspectives, these contributions provide revealing case studies for those researching decolonisation across the humanities and social sciences.
Author / Editor information
Contributor: Ruth Craggs
Ruth Craggs is a Lecturer in Cultural and Historical Geography at King's College, London
---
Contributor: Claire Wintle
Claire Wintle is a Senior Lecturer in History of Art and Design at the University of Brighton
Topics
-
Download PDFPublicly Available
Front matter
i -
Download PDFPublicly Available
Contents
v -
Download PDFPublicly Available
List of illustrations
vii -
Download PDFPublicly Available
List of contributors
ix -
Download PDFPublicly Available
Acknowledgements
xi -
Download PDFRequires Authentication UnlicensedLicensed
Introduction
1 - Part I Decolonising metropolitan cultures?
-
Download PDFRequires Authentication UnlicensedLicensed
1 Black America and the overthrow of the European colonial order
29 -
Download PDFRequires Authentication UnlicensedLicensed
2 Humanist modernism
51 -
Download PDFRequires Authentication UnlicensedLicensed
3 Henry Swanzy, Sartre’s zombie?
67 -
Download PDFRequires Authentication UnlicensedLicensed
4 Anxiety abroad
86 - Part II Performing decolonisation
-
Download PDFRequires Authentication UnlicensedLicensed
5 The peasant armed
109 -
Download PDFRequires Authentication UnlicensedLicensed
6 Cultural heritage as performance
126 -
Download PDFRequires Authentication UnlicensedLicensed
7 ‘I still don’t have a country’
156 - Part III Decolonising expertise
-
Download PDFRequires Authentication UnlicensedLicensed
8 Managing the cultural past in the newly independent states of Mali and Ghana
177 -
Download PDFRequires Authentication UnlicensedLicensed
9 More than tropical? Modern housing,expatriate practitioners and the Volta River Project in decolonising Ghana
196 -
Download PDFRequires Authentication UnlicensedLicensed
10 Designing change
222 -
Download PDFRequires Authentication UnlicensedLicensed
11 What colonial legacy?
245 -
Download PDFRequires Authentication UnlicensedLicensed
Index
265
Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 13, 2023
eBook ISBN:
9781784996864
Pages and Images/Illustrations in book
eBook ISBN:
9781784996864
Keywords for this book
Decolonisation; Culture; Transnationalism; Visual Culture; Material Culture; Literary Culture; Twentieth Century
Audience(s) for this book
For a non-specialist adult audience