Kapitel in diesem Buch

1. Front matter i
2. Contents v
3. List of figures vii
4. Acknowledgements ix
5. List of contributors x
6. Introduction 1
7. 1 Cinematic authenticity-effects and medieval art 20
8. 2 Forward into the past 40
9. 3 A time of translation 60
10. 4 ‘Poison to the infant, but tonic to the man 86
11. 5 The medieval imaginary in Italian films 110
12. 6 Towards a theory of medieval film music 137
13. 7 Border skirmishes 158
14. 8 Medieval noir 182
15. 9 ‘Medievalism’, the period film and the British past in contemporary cinema 203
16. Further reading 225
17. Index 229