4 Charles Jackson, The Lost Weekend (1944)
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Steven Earnshaw
Abstract
Charles Jackson’s novel The Lost Weekend is usually seen as an indictment of alcoholics, an accurate depiction of their self-deceptions and lying to others, with an accusation that drinking is no more than an escape, a failure to face up to personal and social responsibility. As with other books with protagonists who commit to drinking, possible reasons are given for the failing self (suppressed homosexuality; relationship with the parents; unsuccessful career), but such interpretations miss the significance of repetition in this novel: the drinker continually faces his demons in a manner that London’s John Barleycorn argues is more truthful than the evasions of everyday sobriety. Unlike the Hollywood film version of the novel (which brought ‘alcoholism’ as a serious issue into the cultural mainstream), Jackson’s narrative is unusual in that rather than offering an ending which sees the death of the drinker or his reformation, it shows the character wondering what all the fuss is about and preparing himself for another binge. The chapter analyses the novel’s various conceptualisations of self and alcohol, its knowing engagement with psychiatry and psychology, the figure of the writer-drinker, and also covers its treatment of temporality.
Abstract
Charles Jackson’s novel The Lost Weekend is usually seen as an indictment of alcoholics, an accurate depiction of their self-deceptions and lying to others, with an accusation that drinking is no more than an escape, a failure to face up to personal and social responsibility. As with other books with protagonists who commit to drinking, possible reasons are given for the failing self (suppressed homosexuality; relationship with the parents; unsuccessful career), but such interpretations miss the significance of repetition in this novel: the drinker continually faces his demons in a manner that London’s John Barleycorn argues is more truthful than the evasions of everyday sobriety. Unlike the Hollywood film version of the novel (which brought ‘alcoholism’ as a serious issue into the cultural mainstream), Jackson’s narrative is unusual in that rather than offering an ending which sees the death of the drinker or his reformation, it shows the character wondering what all the fuss is about and preparing himself for another binge. The chapter analyses the novel’s various conceptualisations of self and alcohol, its knowing engagement with psychiatry and psychology, the figure of the writer-drinker, and also covers its treatment of temporality.
Chapters in this book
- Front matter i
- Dedication v
- Contents vii
- List of figures ix
- Preface xi
- Acknowledgements xii
- Introduction 1
-
I Whiffs and gleams
- 1 Habitual drunkards and metaphysics 45
- 2 Jack London, John Barleycorn (1913) 65
- 3 Jean Rhys and drunken consciousness (1929–1939) 83
- 4 Charles Jackson, The Lost Weekend (1944) 98
- 5 Malcolm Lowry, Under the Volcano (1947) 118
- 6 Hans Fallada, The Drinker (1950) 136
- 7 Brian Moore, The Lonely Passion of Judith Hearne (1955) 148
- 8 Frederick Exley, A Fan’s Notes (1968) 155
- 9 Venedikt Yerofeev, Moscow–Petushki (1970) 176
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III Enough: attic, Vegas, paradise
- 10 William Kennedy, Ironweed (1983) 197
- 11 John O’Brien, Leaving Las Vegas (1990) 210
- 12 A. L. Kennedy, Paradise (2004) 224
- Conclusion 239
- Bibliography 247
- Index 260
Chapters in this book
- Front matter i
- Dedication v
- Contents vii
- List of figures ix
- Preface xi
- Acknowledgements xii
- Introduction 1
-
I Whiffs and gleams
- 1 Habitual drunkards and metaphysics 45
- 2 Jack London, John Barleycorn (1913) 65
- 3 Jean Rhys and drunken consciousness (1929–1939) 83
- 4 Charles Jackson, The Lost Weekend (1944) 98
- 5 Malcolm Lowry, Under the Volcano (1947) 118
- 6 Hans Fallada, The Drinker (1950) 136
- 7 Brian Moore, The Lonely Passion of Judith Hearne (1955) 148
- 8 Frederick Exley, A Fan’s Notes (1968) 155
- 9 Venedikt Yerofeev, Moscow–Petushki (1970) 176
-
III Enough: attic, Vegas, paradise
- 10 William Kennedy, Ironweed (1983) 197
- 11 John O’Brien, Leaving Las Vegas (1990) 210
- 12 A. L. Kennedy, Paradise (2004) 224
- Conclusion 239
- Bibliography 247
- Index 260
