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Manchester University Press
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Front matter
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of contributors vii
- Preface and acknowledgements x
- Introduction 1
-
Part I Inheritance
- 1 Women’s poetry and classical authors 21
- 2 Elizabeth Melville and the religious sonnet sequence in Scotland and England 42
- 3 The Sapphic context of Lady Mary Wroth’s Pamphilia to Amphilanthus 60
- 4 Women poets and men’s sentences 77
-
Part II Circulation
- 5 ‘We thy Sydnean Psalmes shall celebrate’ 97
- 6 Mary Wroth and hermaphroditic circulation 117
- 7 Sisterhood and female friendship in Constance Aston Fowler’s verse miscellany 131
- 8 Late seventeenth-century women poets and the anxiety of attribution 147
-
Part III Narrative
- 9 Rethinking authorial reluctance in the paratexts to Anne Bradstreet’s poetry 165
- 10 A ‘goodly sample’ 181
- 11 ‘The nine-liv’d Sex’ 201
- 12 The contemplative woman’s recreation? 220
- Afterword 244
- Index 253
Kapitel in diesem Buch
- Front matter i
- Contents v
- List of contributors vii
- Preface and acknowledgements x
- Introduction 1
-
Part I Inheritance
- 1 Women’s poetry and classical authors 21
- 2 Elizabeth Melville and the religious sonnet sequence in Scotland and England 42
- 3 The Sapphic context of Lady Mary Wroth’s Pamphilia to Amphilanthus 60
- 4 Women poets and men’s sentences 77
-
Part II Circulation
- 5 ‘We thy Sydnean Psalmes shall celebrate’ 97
- 6 Mary Wroth and hermaphroditic circulation 117
- 7 Sisterhood and female friendship in Constance Aston Fowler’s verse miscellany 131
- 8 Late seventeenth-century women poets and the anxiety of attribution 147
-
Part III Narrative
- 9 Rethinking authorial reluctance in the paratexts to Anne Bradstreet’s poetry 165
- 10 A ‘goodly sample’ 181
- 11 ‘The nine-liv’d Sex’ 201
- 12 The contemplative woman’s recreation? 220
- Afterword 244
- Index 253