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Modernity, Aesthetics, and the Bounds of Art
Language:
English
Published/Copyright:
2019
About this book
Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts.
Author / Editor information
Peter McCormick is Professor of Philosophy and Professor of English Literature at the University of Ottawa.
Topics
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Frontmatter
i -
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Contents
vii -
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Preface
xi -
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INTRODUCTION
1 - PART I. REREADING EIGHTEENTH-CENTURY AESTHETICS
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Introduction
35 -
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1. Early Modern Aesthetics: An Analytic Reading
39 -
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2. Early Modern Aesthetics: A Hermeneutic Reading
61 -
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3. The Subjectivization of Aesthetics
82 -
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4. Rereading Kant on Aesthetic Judgments
98 -
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5. Balzano, Kant's Aesthetics, and a Realist Tradition
125 -
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INTERLUDE
147 - PART II. REALIST BACKGROUNDS OF MODERN AESTHETICS
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Introduction
159 -
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6. Dilthey and Aesthetic Experience
164 -
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7. Brentano and Descriptive Intentionalism
189 -
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8. Husserl and Aesthetic Psychologism
208 -
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9. Twardowski and Aesthetic Contents
233 -
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10. Meinong and Aesthetic Feelings
252 -
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11. Ingarden and Aesthetic Structures
274 -
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CONCLUSION
305 -
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Index
341
Publishing information
Pages and Images/Illustrations in book
eBook published on:
August 5, 2019
eBook ISBN:
9781501746086
Pages and Images/Illustrations in book
Main content:
368
eBook ISBN:
9781501746086
Keywords for this book
ART HISTORY
Audience(s) for this book
For a non-specialist adult audience