Slavophile Empire

Engelstein asks how Russia's identity came to be defined in terms of an consensus opposed to Western-style liberalism, examining debates on religion and secularism, the role of culture and the law, and the status of the empire's ethnic peripheries.

Laura Engelstein is Henry S. McNeil Professor of Russian History at Yale University. She is the author of Castration and the Heavenly Kingdom: A Russian Folktale, The Keys to Happiness: Sex and the Search for Modernity in Fin-de-Siécle Russia, both from Cornell, and Moscow, 1905: Working-Class Organization and Political Conflict. She is coeditor of Self and Story in Russian History, also from Cornell.

These concise and lucid essays by Laura Engelstein reveal the complex and straitened political culture of moderate and conservative Russia in the century before the 1917 revolution. Engelstein provides a compelling analysis of the futile quests of liberals and conservative thinkers and artists to find a basis for a viable Russian national identity either in civic ideals or in Orthodox religion while facing an unyielding autocracy and an increasingly intransigent revolutionary movement.

Andrei Zorin, Professor of Russian, University of Oxford:

The tensions between nationalistic aspirations and imperial status and self perception in many ways defined Russia's search for identity for nearly two centuries and have not lost their relevance until the present day. In her fascinating book Laura Engelstein offers an erudite and sophisticated analysis of the dynamics of these tensions in nineteenth- and early twentieth-century Russian culture from legal consciousness to religious thought and art criticism. I am sure that Slavophile Empire will become required reading for anyone interested in Russian cultural and intellectual history.

David L. Ransel, Robert F. Byrnes Professor of History and Director of the Russian and East European Institute at Indiana UniversityBloomington, author of A Russian Merchant's Tale: The Life and Adventures of Ivan Alekseevich Tolchënov, Based on His Diary:

Laura Engelstein's writing is always thoughtful and instructive. The essays in Slavophile Empire are a pleasure to read. They illuminate the battle that Russian thinkers and artists waged with one another and with the government to define the terms of Russia's encounter with modernity and indeed to define what it meant to be Russian in a modern world whose categories of thought derived primarily from Europe.

Gregory FreezeV, ictor and Gwendolyn Beinfield Professor of HistoryBrandeis University, author of The Parish Clergy in Nineteenth-Century Russia:

Slavophile Empire has a clear logic and coherence: the divisions of law, religion, and art all revolve around the central question of identity and relationship to the 'West.' I found the chapters on Slavophiles and art especially stimulating and original.