University of Texas Press
The Dread of Difference
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Edited by:
About this book
“The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It’s rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.”—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality
“An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.”—Choice
“An extremely useful introduction to recent thinking about gender issues within this genre.”—Film Theory
Author / Editor information
Barry Keith Grant is Professor in the Department of Communications, Popular Culture, and Film at Brock University. He is the author or editor of many books, including 100 Science Fiction Films, Invasion of the Body Snatchers, and four editions of Film Genre Reader.
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Topics
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Frontmatter
i -
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Contents
ix -
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Acknowledgments
xiii -
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Introduction
1 - Part One
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3 When the Woman Looks
17 -
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2 Horror and the Monstrous-Feminine: An Imaginary Abjection
37 -
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3 Her Body, Himself: Gender in the Slasher Film
68 -
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4 The Monster and the Homosexual
116 - Part Two
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5 “It Will Thrill You, It May Shock You, It Might Even Horrify You”: Gender, Reception, and Classic Horror Cinema
145 -
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6 Bringing It All Back Home: Family Economy and Generic Exchange
171 -
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7 Trying to Survive on the Darker Side: 1980s Family Horror
192 -
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8 Genre, Gender, and the Aliens Trilogy
209 -
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9 Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror Film
228 -
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10 Gender, Genre, Argento
241 -
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11 “Beyond the Veil of the Flesh”: David Cronenberg and the Disembodiment of Horror
259 -
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12 The Horror Film in Neoconservative Culture
281 -
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13 Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roth’s Hostel Films
305 - Part Three
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14 Horror, Femininity, and Carrie’s Monstrous Puberty
329 -
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15 The Monster as Woman: Two Generations of Cat People
346 -
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16 Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein
359 -
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17 Burying the Undead: The Use and Obsolescence of Count Dracula
388 -
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18 Old Times in Werewolf of London
403 -
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19 Daughters of Darkness: The Lesbian Vampire on Film
430 -
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20 Birth Traumas: Parturition and Horror in Rosemary’s Baby
439 -
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21 The Place of Passion: Reflections on Fatal Attraction
459 -
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22 Feminine Horror: The Embodied Surrealism of In My Skin
470 -
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23 Uncanny Horrors: Male Rape in Twentynine Palms
488 -
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Selected Bibliography
509 -
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Notes on Contributors
517 -
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Index
523