Preface

Charissa N. Terranova

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Preface

Charissa N. Terranova

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Terranova, Charissa N.. "Preface". Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art, New York, USA: University of Texas Press, 2014, pp. ix-x. https://doi.org/10.7560/754041-001

Terranova, C. (2014). Preface. In Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art (pp. ix-x). New York, USA: University of Texas Press. https://doi.org/10.7560/754041-001

Terranova, C. 2014. Preface. Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art. New York, USA: University of Texas Press, pp. ix-x. https://doi.org/10.7560/754041-001

Terranova, Charissa N.. "Preface" In Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art, ix-x. New York, USA: University of Texas Press, 2014. https://doi.org/10.7560/754041-001

Terranova C. Preface. In: Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art. New York, USA: University of Texas Press; 2014. p.ix-x. https://doi.org/10.7560/754041-001

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Chapters in this book

Frontmatter i
Contents vii
Preface ix
Acknowledgments xi
Introduction 1
Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology 27
Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space 57
Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car 115
Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work 151
Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV 187
Chapter 6. Richard Prince: The Fetish and Automotive Maleficium 227
Conclusion The “Freedom” of Automotive Existence 265
Notes 279
Bibliography 307
Index 323

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https://doi.org/10.7560/754041-001

Chapters in this book

Frontmatter i
Contents vii
Preface ix
Acknowledgments xi
Introduction 1
Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology 27
Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space 57
Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car 115
Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work 151
Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV 187
Chapter 6. Richard Prince: The Fetish and Automotive Maleficium 227
Conclusion The “Freedom” of Automotive Existence 265
Notes 279
Bibliography 307
Index 323

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