University of Texas Press
Latin America's New Historical Novel
About this book
Beginning with the 1979 publication of Alejo Carpentier's El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works.
Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel.
Individual chapters delve deeply into such major works as Mario Vargas Llosa's La guerra del fin del mundo, Abel Posse's Los perros del paraíso, Gabriel García Márquez's El general en su laberinto, and Carlos Fuentes' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide's Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar's A estranha nação de Rafael Mendes, and Angelina Muñiz's Tierra adentro.
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Frontmatter
i -
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Contents
vii -
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Acknowledgments
ix -
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Prependix
1 -
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1 Latin America`s New Historical Novel
14 -
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2 Mario Vargas Llosa`s War on Fanaticism
39 -
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3 Abel Posse`s Denunciation of Power
64 -
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4 The Instant Canonization of a Bakhtinian Symphony
81 -
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5 The Bolivar Quartette, or Varieties of Historical Fiction
95 -
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6 Bending the Ruled, or The Art of Subversion
125 -
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7 Over Two Thousand Years of Exile and Marginality — The Jewish Latin American Historical Novel
138 -
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8 La campaña by Carlos Fuentes
163 -
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Notes
187 -
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Bibliography
209 -
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Index
223