University of Texas Press
Film Genre Reader IV
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Edited by:
About this book
From reviews of the third edition:
“Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope
Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Author / Editor information
Barry Keith Grant is Professor in the Department of Communications, Popular Culture, and Film at Brock University. He is the author or editor of many books, including Film Genre: From Iconography to Ideology and The Dread of Difference: Gender and the Horror Film.
Topics
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Frontmatter
i -
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Acknowledgments
v -
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Contents
xiii -
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Preface to the Fourth Edition
xv -
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Introduction
xvii - Part One: Theory
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1. Genre
3 -
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2. The Idea of Genre in the American Cinema
12 -
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3. A Semantic/Syntactic Approach to Film Genre
27 -
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4. Cycles and Clusters: The Shape of Film Genre History
42 -
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5. Genre Films and the Status Quo
60 -
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6. Social Implications in the Hollywood Genres
69 -
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7. Ideology, Genre, Auteur
78 -
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8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre
93 -
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9. The Structural Influence: New Directions in Film Genre Study
110 -
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10. Genre Film: A Classical Experience
121 -
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11. Experience and Meaning in Genre Films
133 -
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12. Genre and Performance: An Overview
148 -
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13. Film Bodies: Gender, Genre, and Excess
159 -
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14. Questions of Genre
178 -
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15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History
203 -
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16. Film Genres at the Crossroads: What Genres and Films Do to Each Other
218 - Part Two: Selected Genre Criticism
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17. The Western (Genre and Movies)
239 -
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18. Apes and Essences: Some Sources of Significance in the American Gangster Film
255 -
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19. Notes on Film Noir
265 -
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20. Chinatown and Generic Transformation in Recent American Films
279 -
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21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western
298 -
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22. The Bug in the Rug: Notes on the Disaster Genre
313 -
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23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic
332 -
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24. Children of the Light
360 -
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25. Monsters from the Id
382 -
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26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery
402 -
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27. Tales of Sound and Fury: Observations on the Family Melodrama
433 -
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28. Screwball Comedies: Constructing Romance, Mystifying Marriage
463 -
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29. Redressing the “Natural”: The Temporary Transvestite Film
484 -
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30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films
510 -
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31. The Family in Action
524 -
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32. The Self-Reflexive Musical and the Myth of Entertainment
543 -
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33. The Black Gangster Film
558 -
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34. Teen Films: The Cinematic Image of Youth
576 -
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35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film
602 -
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36. Global Noir: Genre Film in the Age of Transnationalism
628 -
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Bibliography
649 -
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Notes on Contributors
735 -
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Index
743