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Appendix 1: Chronology
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Karen A. Bearor
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgment xi
- Introduction xv
- 1. Background, Training, and Early Philosophical Readings 1
- 2. Exploring the Relationship between Artist and Society 28
- 3. The Design Laboratory and Pereira's Introduction 62 to Bauhaus Theories 62
- 4. The "Glass Age" and Pereira's First Paintings on Glass 95
- 5. Pereira's Study of Perception: Hildebrand, Worringer, 119 Hinton, and Giedion 119
- 6. The Impact of Jung, Alchemy, and Tales of Transformation on Pereira's Abstract Symbolism 138
- 7. Reconciling the Inner-Outer Duality: Pereira's Philosophy of Space, Time, and Light 178
- 8. Pereira versus Abstract Expression 215
- Conclusion 229
- Appendix 1: Chronology 233
- Appendix 2: Exhibitions 240
- Notes 251
- Selected Bibliography 301
- Index 317
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgment xi
- Introduction xv
- 1. Background, Training, and Early Philosophical Readings 1
- 2. Exploring the Relationship between Artist and Society 28
- 3. The Design Laboratory and Pereira's Introduction 62 to Bauhaus Theories 62
- 4. The "Glass Age" and Pereira's First Paintings on Glass 95
- 5. Pereira's Study of Perception: Hildebrand, Worringer, 119 Hinton, and Giedion 119
- 6. The Impact of Jung, Alchemy, and Tales of Transformation on Pereira's Abstract Symbolism 138
- 7. Reconciling the Inner-Outer Duality: Pereira's Philosophy of Space, Time, and Light 178
- 8. Pereira versus Abstract Expression 215
- Conclusion 229
- Appendix 1: Chronology 233
- Appendix 2: Exhibitions 240
- Notes 251
- Selected Bibliography 301
- Index 317