Chapter 7 Cultural Identities Before and After the Exit of Bureau-Communism (1991)

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Foreword xi
4. Part I On and Against Translation
5. Introduction 1
6. Chapter 1 Contemporary Colonial Art (1969) 8
7. Chapter 2 The Sixties (1998) 16
8. Chapter 3 Exile (1983) 22
9. Chapter 4 Political Po p (1998) 30
10. Chapter 5 Access to the Mainstream (1987) 37
11. Chapter 6 Wonder Bread and Spanglish Art (1989) 43
12. Chapter 7 Cultural Identities Before and After the Exit of Bureau-Communism (1991) 54
13. Chapter 8 Art and Politics: The Aesthetics o f Resistance (1994) 63
14. Chapter 9 T he Artist’s Role and Image in Latin America (2004) 76
15. Chapter 10 Out of Geography and Into the Moiré Pattern (1996) 93
16. Chapter 11 The Reconstruction of Salami (2003) 97
17. Chapter 12 Printmaking: A Colony of the Arts (1999) 104
18. Chapter 13 My Museums (1995) 112
19. Chapter 14 The Forgotten Individual (1996) 117
20. Chapter 15 Free-trade Diaspora (2003) 120
21. Part II : Other Histories
22. Introduction 125
23. Chapter 16 Pedro Figari (1991) 131
24. Chapter 17 Resoftenings and Softenings in Uruguayan Art (1991) 150
25. Chapter 18 An Ode to Aqua tint (2003) 155
26. Chapter 19 Revisiting Tautology (2006) 159
27. Chapter 20 The Museo Latinoamericano and MICLA (1992) 164
28. Chapter 21 Flying in Weightlessness (2004) 175
29. Chapter 22 Brazil in New York (2001) 184
30. Chapter 23 The Keeper of the Lens (2005) 191
31. Chapter 24 The Two Versions of Santa Anna’s Leg and the Ethics of Public Art (1995) 199
32. Chapter 25 The Biennial of Utopias (1999) 208
33. Chapter 26 Introduction to the Symposium “Art as Education/Education as Art” (2007) 230
34. Index 239