University of Texas Press
Fire in the Water, Earth in the Air
About this book
From Buddy Holly and the Crickets to the Flatlanders, Terry Allen, and Natalie Maines, Lubbock, Texas, has produced songwriters, musicians, and artists as prolifically as cotton, conservatives, and windstorms. While nobody questions where the conservatives come from in a city that a recent nonpartisan study ranked as America's second most conservative, many people wonder why Lubbock is such fertile ground for creative spirits who want to expand the boundaries of thought in music and art. Is it just that "there's nothing else to do," as some have suggested, or is there something in the character of Lubbock that encourages creativity as much as conservatism?
In this book, Christopher Oglesby interviews twenty-five musicians and artists with ties to Lubbock to discover what it is about this community and West Texas in general that feeds the creative spirit. Their answers are revealing. Some speak of the need to rebel against conventional attitudes that threaten to limit their horizons. Others, such as Joe Ely, praise the freedom of mind they find on the wide open plains. "There is this empty desolation that I could fill if I picked up a pen and wrote, or picked up a guitar and played," he says. Still others express skepticism about how much Lubbock as a place contributes to the success of its musicians. Jimmie Dale Gilmore says, "I think there is a large measure of this Lubbock phenomenon that is just luck, and that is the part that you cannot explain."
As a whole, the interviews create a portrait not only of Lubbock's musicians and artists, but also of the musical community that has sustained them, including venues such as the legendary Cotton Club and the original Stubb's Barbecue. This kaleidoscopic portrait of the West Texas music scene gets to the heart of what it takes to create art in an isolated, often inhospitable environment. As Oglesby says, "Necessity is the mother of creation. Lubbock needed beauty, poetry, humor, and it needed to get up and shake its communal ass a bit or go mad from loneliness and boredom; so Lubbock created the amazing likes of Jimmie Dale Gilmore, Butch Hancock, Terry Allen, and Joe Ely."
Author / Editor information
Christopher Oglesby grew up in Lubbock's Tech Terrace neighborhood (former home of Buddy Holly, Joe Ely, and Angela Strehli, among others), where he spent years listening to and watching the artists featured in this book. He is publisher and editor of www.virtualubbock.com, a Web site dedicated to West Texas music and culture. Oglesby received his bachelor of arts and doctor of jurisprudence degrees from Texas Tech University. He lives and works in Austin.
Topics
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Frontmatter
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Contents
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Preface
ix -
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Acknowledgments
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Introduction: Fire in the Water, Earth in the Air
1 - The Legends
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Going Back to the Dirt
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Underground Lubbock
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It’s Amazing How Much Gets Done
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Chicken-Fried Memories
42 -
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Selling the Family Farm for a Song
46 -
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Like a Rolling Stone
52 -
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The Supernatural Family Band
62 -
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The Universe in a Grain of Sand
72 -
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Blues in a Texas Town
86 -
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A Bad Loud Place
98 -
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Illumination on the Streets of Lubbock
102 -
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The Greatest Show on Earth
108 -
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Lord of the Highway
112 -
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Living on Dreams
122 -
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West Texas Angel
132 -
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Take Me Back to Paradox City
140 -
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Bad Girl Upset by the Truth
150 -
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Life Imitates Art
158 -
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Hitchhiking to Nirvana
162 -
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Desperate Searcher
172 -
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Music Ordained by God
184 -
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Back to the Basics of Love
190 -
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Gonzo Compadre
198 -
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Nothing Else to Do
208 -
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Living in Dichotomy
214 -
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Hub City Mover
222 -
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Happiness Is Lubbock, Texas
232 -
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Appendix I: Selected Discographies
241 -
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Appendix II: Original Interviews
281 -
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Index
283