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8. Good Morning, Midnight: The Paris Exhibition and the Paradox of Style
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Mary Lou Emery
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Chapters in this book
- Frontmatter i
- Content vii
- Acknowledgments ix
- Introduction xi
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Part One Masquerades
- 1. Modernist Crosscurrents 3
- 2. Countertexts, Countercommunities 21
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Part Two. Marooned
- 3. Wide Sargasso Sea: Obeah Nights 35
- 4. Voyage in the Dark: Carnival/Consciousness 63
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Part Three. Other Women
- 5. Voyage in the Dark: The Other Great War 85
- 6. Quartet: "Postures," Possession, and Point of View 105
- 7. After Leaving Mr. Mackenzie: Repetition and Counterromance 122
- 8. Good Morning, Midnight: The Paris Exhibition and the Paradox of Style 144
- Conclusion: "World's End and a Beginning" 173
- Notes 179
- Selected Bibliography 201
- Index 211
Chapters in this book
- Frontmatter i
- Content vii
- Acknowledgments ix
- Introduction xi
-
Part One Masquerades
- 1. Modernist Crosscurrents 3
- 2. Countertexts, Countercommunities 21
-
Part Two. Marooned
- 3. Wide Sargasso Sea: Obeah Nights 35
- 4. Voyage in the Dark: Carnival/Consciousness 63
-
Part Three. Other Women
- 5. Voyage in the Dark: The Other Great War 85
- 6. Quartet: "Postures," Possession, and Point of View 105
- 7. After Leaving Mr. Mackenzie: Repetition and Counterromance 122
- 8. Good Morning, Midnight: The Paris Exhibition and the Paradox of Style 144
- Conclusion: "World's End and a Beginning" 173
- Notes 179
- Selected Bibliography 201
- Index 211