To classify this book as interesting would be as reductionist as calling a Steely Dan album well-produced. The illustrations are fantastic and the writing is sublime: interpretive portraits of people who don't exist, a deep history of two geniuses impossible to understand, and the sharpest criticism ever published about a catalog of songs that actively defy analysis. A perfect book about perfect music.

Like most hardcore Steely Dan aficionados, I usually think anybody else's opinion on Steely Dan is misinformed, poorly considered, or just wrong. So it is with profound surprise, and a mild resentment born of great pleasure, that I must report having found Quantum Criminals fascinating, illuminating, edifying, generally meticulous, and only very occasionally dead wrong. An indispensable volume for anybody who's ever stayed up late obsessing about this most delightful of bands. Don't tell the others I said this.

Steely Dan has always sounded like the future, a phenomenon that makes me want to dissect their past to see how they got there. They’re a band with a thousand wormholes, and Alex Pappademas explores every one of them. With luminous illustrations by Joan LeMay, Quantum Criminals is a strange and fascinating love story worthy of the Dan.

The shibboleth of Steely Dan, spelled out across fifty years and nine records, can’t be explained or sold: if you know, you know. And if you know… rejoice. Quantum Criminals is a fiend folio for Dan freaks, an astonishing, joyous, vibrant book capturing the Becker and Fagan canon of cosmic losers, doomed loners, jazz narcs, and star-bummers, along with half the truth and all the bullshit that makes being into Steely Dan such a delightful, unsolvable puzzle. Alex writes like Iain Sinclair in the streets and Greil Marcus in the sheets; Joan paints like Steve Keene doing a presidential portrait of Maira Kalman. Of course. Who better? Who else? They know, too. Like the man says, if it good to ya, it gotta be good for ya—and this book is very, very good.

Having made several attempts to concoct a blurb that might display some of the thoughtfulness, cleverness, craft, wit, style, and strong point of view that are the hallmarks both of this book and of the band it so fiercely and fannishly and lovingly analyzes, I’m just going to give up and write the simple truth: I adored it.

Weird and wondrous...Quantum Criminals fairly drips with information…and I have drunk it in eagerly...The writing in Quantum Criminals is often arresting and always engaging pop-music journalism...Quantum Criminals is a reminder that one can be massively fulfilled by language one doesn’t fully comprehend.

Remarkable...we finally have a book about Steely Dan in which the writing and art fully measure up to the sophistication and beauty of Becker and Fagen’s music...Pappademas’s incisive, elegant prose poetry pairs perfectly with LeMay’s colorful hand-painted portraits that offer humorous and empathetic glimpses of the Dan’s menagerie of luckless pedestrians.

Wonderfully weird and insightful...the Steeliest of all the Steely Dan books out there. And it’s wholly refreshing...There have been a number of fine books on Steely Dan, but Quantum Criminals is the one whose spirit, vivacity, and off-kilterness matches its subjects and their body of work.

Steely Dan fans should love this book. And if you’re not a fan of that non-band band, but love good writing about rock music, Quantum Criminals is still worth reading.

Quantum Criminals is one of the sharpest, funniest, and best books ever about any rock artist.

These song-based essays are part band biography, trenchant culture criticism, poignant ‘70s history, and psychedelic tone poems. Like Steely Dan’s tunes, they toe the line between an unbridled reverence for the music and esoteric sensibilities. I read it in a day and came out with an even deeper respect for their catalog.

Pappademas offers a lively series of ruminations about individual songs, loosely pegged to the characters who populate those songs and who are rendered in playfully detailed and colorful portraits by LeMay. The result is both a celebration and an artifact of the current Steely Dan moment...In sharp and funny chapters, Pappademas riffs on [Steely Dan's] cast of characters in ways that capture the band’s cultural context and musical debts.

[Quantum Criminals] uncovers the vast constellation of lyrical references, artistic influences and social and political contexts surrounding the band and its music.

[An] engaging and illuminating way to tell the band's history...Quantum Criminals is undoubtedly the best thing I’ve ever read about this endearingly strange and endlessly fascinating band.

A whimsical plunge into one of America’s most unconventional rock bands...[A] delicious deep dive into the many protagonists in the 'Steely Daniverse'...LeMay’s vibrant paintings—more than 100 of which are included in the book—provide yet another kaleidoscopic lens through which to consider the duo’s wild imaginations. Any major dude will tell you that this is a solid and highly entertaining take on Fagen and Becker’s 'platonic love story.'

Wry, playful but deeply incisive...Fagen, Becker...and Pappademas are kindred spirits, smartass, sharp-eyed observers of life’s El Supremos—a description that suits other Dan fans as well. Quantum Criminals is like a secret handshake between two covers. The best part is that it illuminates details the rest of us may have glossed over for years.

An engrossing series of essays that innovatively chart the cosmology of Donald Fagen and Walter Becker’s musical universe…[A] terrific and irresistible book.

In one fell swoop, [Quantum Criminals] has become the essential Steely Dan book. And you should absolutely be reading it right now...Pappademas and LeMay leave no stones unturned in their quest to unlock every mythological quadrant of Steely Dan’s immense, decades-long artistic conceptions.

This is the finest piece of rock journalism that I have read in a long time.

Alex Pappademas reveals the stories behind many of [Steely Dan's] songs and, in the process, gives us a book that shows what the right kind of obsession leads to—joyful, contagious passion. Featuring terrific illustrations by Joan LeMay, this is a fascinating, fun, and deep dive into the stories behind the music and the men who created it...After you read this book, you’ll never be able to forget the genius of these two writers.

For those who are anywhere from casual listeners to hardcore Dan Fans, this book is an unceasing delight from cover to cover…Engrossing, well-written, with vivid, whimsical illustrations, Quantum Criminals is the literary equivalent of a Steely Dan album: vibrant, a little strange, and nearly perfect.

Writer Alex Pappademas and painter Joan Lemay...go beyond explanation to produce the definitive Danomicon with this expansively argued and vibrantly illustrated survey of the songs, lyrics and characters populating the whole Steely Dan catalog.

Whether you count the current Danaissance as something entirely new or another turn in a recurring cycle, and even if you’re among those who find the band too weird or jazzy, it’s undeniable the Dan endures. Quantum Criminals is an entertaining and insightful account of why.

The book is as smooth and intriguing as Gaucho, a combination of sophisticated thinking, clear language, and a calm view of the dark interior of this band. All of it is told through a series of connected biographies that are based on each song that the band recorded . . . and that give the musicians involved, the cultural views accumulated, and Pappademas’s own journey, significant roles in what is a great and complex story. The book will be terrifically satisfying to any and all Dan fans in the way that having one’s own experiences and perceptions acknowledged and validated is, but it goes far beyond hagiography.

The new book, Quantum Criminals: Ramblers, Wild Gamblers, and other Sole Survivors From the Songs of Steely Dan, is the delightful result of an author not only understanding their subject, but emotionally bonding with it. In this case, it’s the two co-authors, Alex Pappademas (who writes the words) and Joan LeMay (who paints the pictures). . . Quantum Criminals understands the paradoxical nature of Steely Dan, and the book embraces that chaos. It’s not a paean to “great men” of classic rock, nor is it a fan service love letter. But it is most definitely the right book about the correct band.

There have been a number of fine books on Steely Dan, but Quantum Criminals is the one whose spirit, vivacity, and off-kilterness matches its subjects and their body of work.

[An] ultra-cool hybrid of music criticism and pop art...For older fans, who remember when 'Rikki Don't Lose That Number' owned the airwaves in spring 1974, Quantum Criminals is like a tour guide with a music geek friend whose fresh outlook about songs you've heard hundreds of times enables you to experience elements of their greatness for the first time.

The best music book of 2023…From Rikki to Hoops McCann to Kid Charlemagne, Pappademas’ prose and LeMay’s paintings pair together to give Donald Fagen and Walter Becker’s band the vivid, unforgettable context it has always deserved. It’s an essential mapping of Steely Dan’s wild and wonderful world, told straight from two Danheads.

Steely Dan’s stock is even higher today than it was in the 1970s, when they were having hit records. Critic Alex Pappademas and illustrator Joan LeMay deliver the perfect celebration of Donald Fagen and Walter Becker’s unique hermetic grandeur, honoring their oblique mystique while also getting at the real human beings lurking beneath the pristine tunes and cynical worldview. Each chapter is a revelatory riff on a different character in a Dan song — from Peg to Rikki to Mr. LePage to the Gaucho — with LeMay’s artwork just as smart and fun as the writing. They get into topics like the band’s secret hip-hop influence, their ‘famously overdetermined guitar solos,’ and the dialectical nature of their relationship with fellow El Lay rock royals the Eagles. People have been trying to untangle the riddle of Steely Dan’s greatness for decades. No one’s ever done it better.

Quantum Criminals is such an unusual, funny, and creative work of criticism that it should inspire anyone who loves pop music but feels tired of the forms into which the market hems writers who want to tell its stories.

Quantum Criminals: Ramblers, Wild Gamblers and Other Sole Survivors from the Songs of Steely Dan (University of Texas Press) by Alex Pappademas and Joan LeMay has been described as the quintessential Steely Dan book. As part of the project, LeMay, a native Houstonian, created 109 whimsical portraits of characters that sprang from the musicians’ lyrics and legends. In a review, fellow artist Melissa Messer wrote: 'Looking at Joan’s oeuvre makes me feel tipsy, or like I’ve drunk Wonka’s Fizzy Lifting Drink and I’m swimming through the air after her, searching for the same vision.'

This book not only dissects Steely Dan’s lyrics and dives deep into the imagery of their discography, it also steps back and provides helpful context about how the band’s music was written.

This innovative music book is a work of art unto itself, with the detailed commentary of Pappademas alongside the captivating art of LeMay.

Not only a fine compendium for lifelong fans of the band, Quantum Criminals is an excellent primer for those discovering their complicated and eminently entertaining oeuvre.

[Quantum Criminals] is an extraordinary book. It is an absolute breakthrough in terms of how to write about music, how to write about a band, how to write about songs. [Pappademas] simply takes all these characters in the songs and gives them their own lives to lead, so to speak…I was crazy about that book. I felt so gratified — ‘boy, someone’s finally doing something really different.’