Frontmatter

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Introduction 1
5. Chapter 1. Afro-Brazilian Performance on Rio de Janeiro’s Popular Stages from the 1880s to the Long 1920s 28
6. Chapter 2. The Rio de Janeiro–Paris Performance Axis in the First Decades of the Twentieth Century: Duque, the Oito Batutas, and the Question of “Race” 69
7. Chapter 3. The Teatro de Revista in Rio de Janeiro in the Long 1920s: Transnational Dialogues and Cosmopolitan Black Performance 92
8. Chapter 4. The Cultural Migrations of the Stage and Screen Baiana, 1889–1950s 116
9. Conclusion 147
10. Notes 153
11. Bibliography 215
12. Index 225