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Graphic Borders
Latino Comic Books Past, Present, and Future
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Edited by:
Frederick Luis Aldama
Language:
English
Published/Copyright:
2016
About this book
From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today.
Graphic Borders presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors’ exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.
Author / Editor information
Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English and University Distinguished Scholar at the Ohio State University.
Christopher González is an assistant professor of English at Texas A&M University-Commerce.
Reviews
Graphic Borders is a meaty and expansive read, with a core through-line of unpacking the idea that Latina/o comics are redrawing the known borders of comics narrative. . . . The writing in this collection is strong and compelling, the themes wide ranging and cohesive, and the message highly relevant. If you want to get a great sense of what Latino/a comics are doing in the culture right now, this is a necessary starting point to your journey.
— Journal of Graphic Novels and ComicsFor those wanting a deeper look at the wells of artistic styles, cultural trends, and historical pressures that influenced our current crop of Latino artist-authors, this anthology digs wide and deep.
— PasatiempoWhile the collection itself speaks more to notions of Latino culture and comic books in popular culture, the volume is wisely constructed to convey critical looks toward various dynamics of culture as a whole. . . In today’s contentious understandings of national, state, and urban borders, the use of comic books lays out an intriguing history of these political dynamics. . . Graphic Borders is a thorough look at Latino culture and comic books that engages subjects like borders, gender, history, politics, and sexuality in a cohesive collection of essays.
— Popular Culture Studies JournalThe essays in Graphic Borders do not fail to amaze, and the marshalling of such a wide variety of topics and comics by Aldama and González is nothing short of breathtaking. Whether for the comics novice or aficionado, this collection will introduce the reader to new modes of graphic narrative analysis and will shine as a lodestar for future scholarship in the years to come.
— Studies in Twentieth and Twenty-first Century LiteratureThe anthology undoubtedly advances the scholarship on Latin@ comics in resourceful ways, as it brings to the fore the Latin@ intellectual multiverse.
— Latino StudiesGraphic Bordersquestions and redefines the 'American way,' building in new fissures, i.e. new territories that one can walk into to experience the Latino imagery, especially Latino comic imagery, in a new way.
— Canadian Journal of Latin American and Caribbean StudiesOnce upon a time, in a galaxy as close as your local comic book store, worlds populated with Latino superheroes, misfits, legends, and all manner of wondrous characters filled a gaping void in American graphic fiction. Graphic Borders is a must-read for anyone studying graphics and the emerging multi-cultural, multi-racial, multi-sexual, multi-abled, multi-dimensional literary imagination that our artists and storytellers keep building, gorgeously, every day.
— Lisa Sánchez González, University of Connecticut, author of Boricua Literature and Puerto Rican Folktales/Cuentos folclóricos puertorriqueñosWith the proverbial ‘brown tide rising’ come swells of creativity and diversity in US Latino comic books and graphic nonfiction. This timely critical intervention delivers wide-ranging and comprehensive critical thinking about comics as a malleable, exciting, and innovative mode of storytelling about Latina/o lived experiences, creative industry, and speculative aspirations and desires. It opens imaginations wide to the splendors of well-known and emergent Latina/o comic artists—and Latinos in the comic book mainstream. Like Latinos in comics today that know no bounds, this collection soars to new scholarly heights.
— Paul Allatson, University of Technology, Sydney, author of Latino Dreams and Key Terms in Latino/a Cultural and Literary StudiesHoly Blatino Spidey! Aldama and Gonzalez leave no stone unturned. Addressing alternative Latino comic book auteurs like Los Bros Hernandez as well as mainstream creators like Cantú and Castellanos, the rich and varied theoretical explorations included in this volume extend the range and deepen the insight of Aldama's seminal Your Brain on Latino Comics. Trust your spider-sense. This collection will slingshot you into danger zones, just as today's Latino graphic artists are explosively transmogrifying all of US culture.
— Enrique García, Middlebury College, author of Cuban Cinema After the Cold WarIn Marvel comics the Watchers are an alien race that roams the galaxies observing and documenting all that goes on. The essayists in this collection are the ‘Watchers’ of the micro-universe that is Latino comics. Aldama and González gather an extraordinary league of comic book Watchers who observe and analyze as well as make visible the living, breathing archive of those at the vanguard of Latino sequential art creation. Lock those tractor beams on this one. It’ll blow your mind.
— Eric J. Garcia, El Machete IllustratedZam! Pow! ¡Güey! Graphic Borders smashes through perceptual blockades to radically reveal a Latino/a comics universe that blasts aesthetic boundaries. Aldama, González, and their scholarly superhero team hurl psionic pulse waves of cognitive, historical, and formal analyses to vitally reconfigure today’s comic-book borderlandia. Dare to enter! Dare to be masked!
— Cruz Medina, Santa Clara University, author of Reclaiming Poch@ PopTopics
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Frontmatter
i -
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Contents
vii -
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Taking Back Control of Our Story Space: A Foreword
ix -
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Latino Comic Books Past, Present, and Future—A Primer
1 - Part I. Alternativas
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One. Out of Sequence: Time and Meaning in Los Bros Hernandez
25 -
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Two. Recreative Graphic Novel Acts in Gilbert Hernandez’s Twenty-First- Century Neo-Noirs
41 -
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Three. Three Decades with Gilbert and Jaime Hernandez: An Odyssey by Interview
64 - Part II . Cuerpo Comics
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Four. Biographic Challenges: Wilfred Santiago’s 21: The Story of Roberto Clemente
83 -
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Five. Wrestling with Comic Genres and Genders: Luchadores as Signifiers in Sonambulo and Locas
109 - Part III. Tortilla Strips
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Six. Latino Identity and the Market: Making Sense of Cantú and Castellanos’s Baldo
133 -
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Seven. The Archeology of the Post-social in the Comics of Lalo Alcaraz: La Cucaracha and Migra Mouse: Political Cartoons on Immigration
152 -
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Eight. My Debt to Rius
169 - Part IV. A Bird, a Plane . . . Straight and Queer Super-Lats
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Nine. The Alien Is Here to Stay: Otherness, Anti-Assimilation, and Empowerment in Latino/a Superhero Comics
181 -
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Ten. Anya Sofía (Araña) Corazón: The Inner Webbings and Mexi-Ricanization of Spider-Girl
203 -
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Eleven. Revealing Secret Identities: Gay Latino Superheroes and the Necessity of Disclosure
224 - Part V. Multiverses, Admixtures, and More
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Twelve. Everybody Wants to Rule the Multiverse: Latino Spider-Men in Marvel’s Media Empire
241 -
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Thirteen. Mapping the Blatino Badlands and Borderlands of American Pop Culture
252 -
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Fourteen. The Paradox of Miles Morales: Social Gatekeeping and the Browning of America’s Spider-Man
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Works Cited
281 -
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Contributor Notes
293 -
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Index
295
Publishing information
Pages and Images/Illustrations in book
eBook published on:
October 1, 2021
eBook ISBN:
9781477309179
Pages and Images/Illustrations in book
eBook ISBN:
9781477309179
Audience(s) for this book
For an expert adult audience, including professional development and academic research
