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Revising Moves
Writing Stories of (Re)Making
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Edited by:
, , , and
Language:
English
Published/Copyright:
2024
About this book
Revision sometimes seems more metaphor than real, having been variously described as a stage, an act of goal setting, a method of correction, a process of discovery, a form of resistance. Revising Moves makes a significant contribution to writing theory by collecting stories of revision that honor revision’s vitality and immerse readers in rooms, life circumstances, and scenes where revision comes to life.
In these narrative-driven essays written by a wide range of writing professionals, Revising Moves describes revision as a messy, generative, and often collaborative act. These meditations reveal how revision is both a micro practice tracked by textual change and a macro phenomenon rooted in family life, institutional culture, identity commitments, and political and social upheaval. Contributors depict revision as a holistic undertaking and a radically contextualized, distributed practice that showcases its relationality to everything else. Authors share their revision processes when creating scholarly works, institutional and self-promoting documents, and creative projects. Through narrative the volume opens a window to what is often unseen in a finished text: months or years of work, life events that disrupt or alter writing plans, multiple draft changes, questions about writerly identity and positionality, layers of (sometimes contradictory) feedback, and much more.
In these narrative-driven essays written by a wide range of writing professionals, Revising Moves describes revision as a messy, generative, and often collaborative act. These meditations reveal how revision is both a micro practice tracked by textual change and a macro phenomenon rooted in family life, institutional culture, identity commitments, and political and social upheaval. Contributors depict revision as a holistic undertaking and a radically contextualized, distributed practice that showcases its relationality to everything else. Authors share their revision processes when creating scholarly works, institutional and self-promoting documents, and creative projects. Through narrative the volume opens a window to what is often unseen in a finished text: months or years of work, life events that disrupt or alter writing plans, multiple draft changes, questions about writerly identity and positionality, layers of (sometimes contradictory) feedback, and much more.
Author / Editor information
Christina M. LaVecchia is assistant professor of English at the University of Cincinnati. Her work appears in College English, Composition Forum, and Composition Studies, among other venues in both rhetoric and composition as well as healthcare.
Allison D. Carr is associate professor of rhetoric and director of writing across the curriculum at Coe College in Cedar Rapids, Iowa. Her scholarship can be found in Composition Forum, Pedagogy, and elsewhere, and she is coeditor of Failure Pedagogies: Learning and Unlearning What It Means to Fail.
Laura R. Micciche is professor of English and director of the rhetoric and composition graduate program at the University of Cincinnati. She is author of Acknowledging Writing Partners and Doing Emotion: Rhetoric, Writing, Teaching, coeditor of Failure Pedagogies: Learning and Unlearning What It Means to Fail and A Way to Move: Rhetorics of Emotion and Composition, and coeditor of the WPA Book Series for Parlor Press.
Hannah J. Rule is associate professor of English in composition and rhetoric at the University of South Carolina. She is the author of Situating Writing Processes and coeditor, with Cydney Alexis, of The Material Culture of Writing. Her scholarship also appears in College Composition and Communication, Composition Studies, and Composition Forum.
Jayne E. O. Stone is a doctoral candidate in rhetoric and composition at the University of Cincinnati, where she teaches undergraduate composition and writing courses. Her work appears in Writers: Craft and Context and is forthcoming in Composition Forum.
Allison D. Carr is associate professor of rhetoric and director of writing across the curriculum at Coe College in Cedar Rapids, Iowa. Her scholarship can be found in Composition Forum, Pedagogy, and elsewhere, and she is coeditor of Failure Pedagogies: Learning and Unlearning What It Means to Fail.
Laura R. Micciche is professor of English and director of the rhetoric and composition graduate program at the University of Cincinnati. She is author of Acknowledging Writing Partners and Doing Emotion: Rhetoric, Writing, Teaching, coeditor of Failure Pedagogies: Learning and Unlearning What It Means to Fail and A Way to Move: Rhetorics of Emotion and Composition, and coeditor of the WPA Book Series for Parlor Press.
Hannah J. Rule is associate professor of English in composition and rhetoric at the University of South Carolina. She is the author of Situating Writing Processes and coeditor, with Cydney Alexis, of The Material Culture of Writing. Her scholarship also appears in College Composition and Communication, Composition Studies, and Composition Forum.
Jayne E. O. Stone is a doctoral candidate in rhetoric and composition at the University of Cincinnati, where she teaches undergraduate composition and writing courses. Her work appears in Writers: Craft and Context and is forthcoming in Composition Forum.
Reviews
“Completely engrossing. This collection will quickly become one of the most important texts on revision in rhetoric and writing studies.”
—Jacob Babb, Appalachian State University
“These essays make a valuable contribution to the field and changed the way I think about revision.”
—Ana Milena Ribero, Oregon State University
—Jacob Babb, Appalachian State University
“These essays make a valuable contribution to the field and changed the way I think about revision.”
—Ana Milena Ribero, Oregon State University
Topics
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Front Matter
i -
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Contents
vii -
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Illustrations
xi -
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Acknowledgments
xii -
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On the Page and in our Lives
3 -
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Set 1 Revision Takes a Stand
19 -
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1 On Choosing not to Revise
23 -
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2 Consulting Editor to the Rescue
29 -
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3 Alejandra Chooses Life
41 -
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Set 2 Revision Makes Space
49 -
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4 Revising a Cover Letter, Revising a Life
52 -
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5 Re-Visioning Letters of Recommendation
63 -
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6 Creating and Holding Space as Revision in WPA Lives
79 -
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Set 3 Revision Approaches Feedback
91 -
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7 On the Slippages and Swells of Revising Digital Media
94 -
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8 “Another_Draft.DOCX”
106 -
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9 Revising Scholarly Peer Review
117 -
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10 Revision as Protecting What is Important
128 -
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Set 4 Revision Meets the World
137 -
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11 Revising an Antiracism Statement for Known and Unknown Audiences
141 -
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12 Feeling Our Way through Collaborative Revision When the World is on Fire
151 -
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13 Whose Exigence?
163 -
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Set 5 Revision Spirals
177 -
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14 Definition as Invention
181 -
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15 Uncovering the Veil
192 -
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14 “That’s Where it Sleeps”
206 -
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17 Drawing a Blank
222 -
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Losses, Leavings, Remakings
227 -
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Index
233 -
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About the Authors
243
Publishing information
Pages and Images/Illustrations in book
eBook published on:
April 22, 2024
eBook ISBN:
9781646425501
Pages and Images/Illustrations in book
Main content:
260
Other:
14
eBook ISBN:
9781646425501
Keywords for this book
writing studies; literature; rhetoric studies; teaching writing; writing book; graduate writing; academic writing
Audience(s) for this book
Professional and scholarly;