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Wagner’S Dramas and Greek Tragedy
-
Pearl Cleveland Wilson
Language:
English
Published/Copyright:
1919
Topics
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Frontmatter
I -
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Contents
VII -
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I. Wagner’s Enthusiasm for Greek, and His Genius for Dramatic Expression in Music
1 -
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II. Do Wagner’s Dramas Uphold the Doctrine of Might or the Doctrine of Self-Sacrifice?
6 -
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III. Greek Influence and Greek Parallels in Wagner’s Work
12 -
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IV. The Oresteia and the Ring of the Nibelung: Dramas of Crime and Atonement
20 -
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V. The Conclusion of the Meistersinger and the Conclusion of the Eumenides: Two Remarkable Reconciliations
44 -
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VI. Ajax and Amfortas: The Fallen Heroes
47 -
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VII. Isolde and Phaedra: Reluctant Confessions of Love
51 -
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VIII. Wagner’s Music and the Parodos of the Seven Against Thebes
55 -
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IX. Wagner's Use of the Orchestra as a Medium for Poetic Expression
61 -
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X. Orchestral and Choral Preludes
75 -
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XI. Orchestral and Choral Conclusions
81 -
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XII. Long Scenes and Speeches
86 -
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XIII. A Few Remarks on Rhythms
90 -
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XIV. Points of Resemblance Between Wagner and the Greek Tragic Poets
95 -
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Bibliography
97
Publishing information
Pages and Images/Illustrations in book
eBook published on:
May 6, 2019
eBook ISBN:
9780231899369
Pages and Images/Illustrations in book
Main content:
100
eBook ISBN:
9780231899369
Audience(s) for this book
College/higher education;