INTRODUCTION: CHINA AND EARLY SOVIET CULTURE

Edward Tyerman

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INTRODUCTION: CHINA AND EARLY SOVIET CULTURE

Edward Tyerman

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Tyerman, Edward. "INTRODUCTION: CHINA AND EARLY SOVIET CULTURE". Internationalist Aesthetics: China and Early Soviet Culture, New York Chichester, West Sussex: Columbia University Press, 2021, pp. 1-36. https://doi.org/10.7312/tyer19918-002

Tyerman, E. (2021). INTRODUCTION: CHINA AND EARLY SOVIET CULTURE. In Internationalist Aesthetics: China and Early Soviet Culture (pp. 1-36). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/tyer19918-002

Tyerman, E. 2021. INTRODUCTION: CHINA AND EARLY SOVIET CULTURE. Internationalist Aesthetics: China and Early Soviet Culture. New York Chichester, West Sussex: Columbia University Press, pp. 1-36. https://doi.org/10.7312/tyer19918-002

Tyerman, Edward. "INTRODUCTION: CHINA AND EARLY SOVIET CULTURE" In Internationalist Aesthetics: China and Early Soviet Culture, 1-36. New York Chichester, West Sussex: Columbia University Press, 2021. https://doi.org/10.7312/tyer19918-002

Tyerman E. INTRODUCTION: CHINA AND EARLY SOVIET CULTURE. In: Internationalist Aesthetics: China and Early Soviet Culture. New York Chichester, West Sussex: Columbia University Press; 2021. p.1-36. https://doi.org/10.7312/tyer19918-002

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Chapters in this book

Frontmatter i
CONTENTS vii
ACKNOWLEDGMENTS ix
INTRODUCTION: CHINA AND EARLY SOVIET CULTURE 1
1. SIGHT, SOUND, AND SIMILARITY: SOVIET WRITERS TRAVEL TO CHINA 37
2. TRANSLATING CHINA ONSTAGE: ROAR, CHINA! AND THE RED POPPY 85
3. THROUGH AN INTERNATIONALIST LENS: CHINA IN EARLY SOVIET CINEMA 134
4. CONFESSIONS AND COLLABORATIONS: AUTHORITY, AGENCY AND FACTOGRAPHIC INTERNATIONALISM IN DEN SHI-KHUA 187
EPILOGUE: INTERNATIONAL LITERATURE, NATIONAL FORM, AND MISSED CONNECTIONS 231
NOTES 247
BIBLIOGRAPHY AND SOURCES 309
INDEX 333

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https://doi.org/10.7312/tyer19918-002

Chapters in this book

Frontmatter i
CONTENTS vii
ACKNOWLEDGMENTS ix
INTRODUCTION: CHINA AND EARLY SOVIET CULTURE 1
1. SIGHT, SOUND, AND SIMILARITY: SOVIET WRITERS TRAVEL TO CHINA 37
2. TRANSLATING CHINA ONSTAGE: ROAR, CHINA! AND THE RED POPPY 85
3. THROUGH AN INTERNATIONALIST LENS: CHINA IN EARLY SOVIET CINEMA 134
4. CONFESSIONS AND COLLABORATIONS: AUTHORITY, AGENCY AND FACTOGRAPHIC INTERNATIONALISM IN DEN SHI-KHUA 187
EPILOGUE: INTERNATIONAL LITERATURE, NATIONAL FORM, AND MISSED CONNECTIONS 231
NOTES 247
BIBLIOGRAPHY AND SOURCES 309
INDEX 333

INTRODUCTION: CHINA AND EARLY SOVIET CULTURE

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