Spells, Images, and Mandalas
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Koichi Shinohara
About this book
In the Collected Dharani Sutras, rituals for specific deities were typically performed around images of the deities, yet Esoteric Buddhist rituals in earlier sources involved the recitation of spells rather than the use of images. The first part of this study explores how such simpler rituals came to be associated with the images of specific deities and ultimately gave rise to the general Esoteric initiation ceremony described in the crucial example of the All-Gathering mandala ritual in the Collected Dharani Sutras. The visualization practices so important to later Esoteric Buddhist rituals were absent from this ceremony, and their introduction would fundamentally change Esoteric Buddhist practice.
This study examines the translations of dharani sutras made by Bodhiruci in the early eighth century and later Esoteric texts, such as Yixing's commentary on the Mahavairocana sutra and Amoghavajra's ritual manuals, to show how incorporation of visualization greatly enriched Esoteric rituals and helped develop elaborate iconographies for the deities. Over time, the ritual function of images became less certain, and the emphasis shifted toward visualization. This study clarifies the complex relationship between images and ritual, changing how we perceive Esoteric Buddhist art as well as ritual.
Author / Editor information
Reviews
Paul Copp:
This is a landmark study that greatly advances our understanding of the history of Buddhist ritual practice in both India and East Asia.
Impressive.
An important contribution to the study of Esoteric Buddhism.
Zhaohua Yang:
Spells, Images, and Mandalas is a tour de force and the culmination of a lifetime's scholarly accomplishments.... It is a great contribution not only to the field of Chinese Esoteric Buddhism, but to the study of Buddhist tantra as a whole.
James Robson, Harvard University:
Shinohara has produced a bold, insightful, and original work that marks a milestone in the study of Esoteric Buddhist ritual. Among his many important findings are well-reasoned hypotheses regarding textual accretion, ritual theory, and the evolving role of images and visualization in the development of Esoteric Buddhist rituals between the fifth and ninth centuries. Shinohara's hard-won erudition is palpable on every page and expressed in clear and concise prose. Spells, Images, and Mandalas is sure to remain the definitive work on Esoteric Buddhist ritual for years to come.
Paul Groner, University of Virginia:
Shinohara has given us an insightful and detailed examination of the transition between Mahayana and early Esoteric Buddhism based on Chinese sources. He has illuminated the development of practices that include the worship of images, visualizations, and the use of mandalas, and his painstaking discussions of rituals give us a vivid sense of how practices might have been performed.
Robert Sharf, University of California, Berkeley:
Spells, Images, and Mandalas is the first study of early Buddhist Tantra to make full use of a vast trove of Chinese sources that predate, often by many centuries, extant Sanskrit and Tibetan materials. Through exacting detective work, Koichi Shinohara reconstructs the evolution of Buddhist Tantra from its origins in simple incantation rituals to more elaborate forms of image worship and finally to full-blown ma??ala and visualization rites. The result is a groundbreaking account of the development of Buddhist ritual traditions.
Charles D. Orzech, Glasgow University:
This book will transform the scholarly discourse concerning the relationship between dharani scriptures and esoteric Buddhism in the late Mahayana. In an area rife with confusing and competing theories, Shinohara has waded in and done the nitty-gritty textual work necessary to advance a coherent thesis on the evolution of the use of images and the emergence of practices of visualization.
Topics
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Frontmatter
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Contents
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List of Figures and Tables
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Acknowledgments
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Introduction
xi - PART I. The Three Ritual Scenarios
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1. The Recitation of Spells in the Dhāraṇī Collections
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2. The Image Ritual of the Eleven-Faced Avalokiteśvara
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3. The Maṇḍala Initiation Ceremony
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4. The Formation of the All-Gathering Ceremony
64 - PART II. The Evolution of Dhāraṇī Sūtras and the Introduction of Visualization Practice
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5. Dhāraṇī Sūtras and Their Evolution in Esoteric Sūtras Translated by Bodhiruci
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6. The Tradition of the Amoghapāśa Sūtras
126 - PART III. Toward a New Synthesis: “Mature” Rituals of Visualization
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7. Yixing’s Commentary on the Mahāvairocana Sūtra: Creating the Great Maṇḍala
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8. Amoghavajra’s Ritual Manuals
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Conclusion
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Appendix: The Day-by-Day Instructions for the All-Gathering Maṇḍala Ceremony in the Collected Dhāraṇī Sūtras
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Notes
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References
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Index
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