Chapter
Publicly Available
Frontmatter
-
Lawrence Sherman
Chapters in this book
- Frontmatter i
- CONTENTS vii
- PRELUDE A NEUROSCIENTIST AND A MUSICIAN WALK INTO A BAR GYM ix
- OVERTURE xiii
- First Movement WHAT IS MUSIC, AND WHY DOES IT EXIST? 1
- Second Movement HOW YOUR BRAIN COMPOSES MUSIC 22
- Third Movement PRACTICING MUSIC, PART I THE PARTNERSHIP OF MOTIVATED MUSIC STUDENTS AND MOTIVATED MUSIC TEACHERS 51
- Fourth Movement PRACTICING MUSIC, PART II UNDERSTANDING THE NEUROSCIENCE 71
- Fifth Movement PRACTICING MUSIC, PART III CHANGING YOUR BRAIN TO GET IT RIGHT 94
- Sixth Movement HOW YOUR BRAIN PERFORMS MUSIC 117
- Seventh Movement HOW YOUR BRAIN LISTENS TO MUSIC 140
- Eighth Movement WHY YOUR BRAIN LIKES MUSIC 162
- CODA THE FINAL JAM WITH DENNIS AND LARRY: A REFLECTIVE IMPROVISATION 192
- ACKNOWLEDGMENTS 201
- APPENDIX A FIRST SURVEY 205
- APPENDIX B SECOND SURVEY 225
- NOTES 227
- BIBLIOGRAPHY 243
- INDEX 261
Chapters in this book
- Frontmatter i
- CONTENTS vii
- PRELUDE A NEUROSCIENTIST AND A MUSICIAN WALK INTO A BAR GYM ix
- OVERTURE xiii
- First Movement WHAT IS MUSIC, AND WHY DOES IT EXIST? 1
- Second Movement HOW YOUR BRAIN COMPOSES MUSIC 22
- Third Movement PRACTICING MUSIC, PART I THE PARTNERSHIP OF MOTIVATED MUSIC STUDENTS AND MOTIVATED MUSIC TEACHERS 51
- Fourth Movement PRACTICING MUSIC, PART II UNDERSTANDING THE NEUROSCIENCE 71
- Fifth Movement PRACTICING MUSIC, PART III CHANGING YOUR BRAIN TO GET IT RIGHT 94
- Sixth Movement HOW YOUR BRAIN PERFORMS MUSIC 117
- Seventh Movement HOW YOUR BRAIN LISTENS TO MUSIC 140
- Eighth Movement WHY YOUR BRAIN LIKES MUSIC 162
- CODA THE FINAL JAM WITH DENNIS AND LARRY: A REFLECTIVE IMPROVISATION 192
- ACKNOWLEDGMENTS 201
- APPENDIX A FIRST SURVEY 205
- APPENDIX B SECOND SURVEY 225
- NOTES 227
- BIBLIOGRAPHY 243
- INDEX 261