Epistenology
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Nicola Perullo
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How can we open our hearts and minds to earth and sky, to sunshine and clouds, to fresh leaves and the fruits of the vine? How can we think, and know, from within the fullness of our being? To drink the very world we inhabit, to enmesh our lives with its threads, feel its pulse: all this, says Nicola Perullo in this intoxicating book, is the task and the promise of wine. Bringing wine to life, Perullo concocts an exuberant and wonderfully liberating potion of philosophy uncorked.
Yuriko Saito, author of Aesthetics of the Familiar: Everyday Life and World-Making:
Nicola Perullo's Epistenology both challenges and invites us to join him on a journey of experiencing with wine. Passionate, bold, brave, and at times taking risks, he urges us to be fully present in our engagement with the world, including wine. By sharing the process of doing and undergoing in the Deweyan sense, he invites us to celebrate life by practicing 'wine as experience.'
Kenneth Liberman, author of Practical Buddhism: Living Everyday Life:
Perullo contests the notion that varieties of wines (Merlot, Cabernet, etc.) are fixed ontological elements. Undazzled by flavor wheels that look 'like peacocks,' Perullo describes what really counts—just how we can experience wine freshly on each new occasion. His epistemological perspective guides us in attuning to the dynamic character of wine. Refusing to adhere to any predetermined 'terroir,' envisioned as an abstraction or an obligation, he keeps the reader connected closely with what is most present by liberating us from what is restricting about our own rationality.
Steven Shapin, author of Never Pure: Historical Studies of Science as if It Was Produced by People with Bodies, Situated in Time, Space, Culture, and Society, and Struggling for Credibility and Authority:
Perullo wants to know wine by participating in it, by forming relations with it, by giving subjectivity its place of honor, by acknowledging a debt to pleasure. He's produced a radical challenge to Anglophone sensibilities about wine and, indeed, about knowing.
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Frontmatter
i -
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CONTENTS
vii -
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NOTE FOR THE READER
ix -
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ACKNOWLEDGMENTS
xi - I WINE AND THE CREATIVITY OF TOUCH
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PROLOGUE
3 -
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1 MEETING WITH WINE
13 -
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2 HAPTIC TASTE
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3 THE CREATIVITY OF TOUCH
53 -
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4 THE LANGUAGES OF WINE, ALL OF THEM
69 - II TASTE AS A TASK
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5 REESTABLISHING BONDS
87 -
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6 WITHOUT A THEME
95 -
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7 WITHOUT METHOD
107 -
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8 WITHOUT COMPETENCY
117 -
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9 WITHOUT JUDGMENT
129 -
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10 TASTE IS NOT A SENSE BUT A TASK
141 -
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11 STORIES WITHOUT INSTRUCTIONS
153 -
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12 TERROIR IS THE WORLD
163 -
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13 INEBRIATION AND INTOXICATION
177 -
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NOTES
185 -
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BIBLIOGRAPHICAL NOTE
187 -
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ESSENTIAL BIBLIOGRAPHY
189 -
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INDEX
193