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Afterword. The Idea Of Essay Film
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Notes On Contributors viii
- Introduction Dialogue, Politics, Utopia 1
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Part One: The Essay Film As Dialogue
- Chapter 1. Essayism And Contemporary Film Narrative 15
- Chapter 2. Essaying The Forms Of Popular Cinema: Godard, Farocki And The Principle Of Shot/Countershot 28
- Chapter 3. The Practice Of Strangeness: L’Intrus, From Jean-Luc Nancy (2000) To Claire Denis (2004) 68
- Chapter 4. Cinéma-Vérité And Kino-Pravda: Rouch, Vertov And The Essay Form 86
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Part Two: The Essay Film As Politics
- Chapter 5. Notes For A Revolution: Pasolini’S Postcolonial Essay Films 127
- Chapter 6. Chris Marker’S Description Of A Struggle And The Limits Of The Essay Film 145
- Chapter 7. A Woman With A Movie Camera: Chantal Akerman’S Essay Films 167
- Chapter 8. ‘What Does It Mean Today To Be A Communist?’: Nanni Moretti’S Palombella Rossa And La Cosa As Essay Films 192
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Part Three: The Essay Film As Utopia
- Chapter 9. Mohamed Soueid’S Cinema Of Immanence 219
- Chapter 10. Inside/Outside: Nicolasito Guillén Landrián’S Subversive Strategy In Coffea Arábiga 237
- Chapter 11. American Essays In How To Build A Home: Thoreau, Mekas, Proenneke 256
- Chapter 12. ‘To Speak, To Hold, To Live By The Image’: Notes In The Margins Of The New Videographic Tendency 275
- Afterword. The Idea Of Essay Film 300
- Index 306
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Notes On Contributors viii
- Introduction Dialogue, Politics, Utopia 1
-
Part One: The Essay Film As Dialogue
- Chapter 1. Essayism And Contemporary Film Narrative 15
- Chapter 2. Essaying The Forms Of Popular Cinema: Godard, Farocki And The Principle Of Shot/Countershot 28
- Chapter 3. The Practice Of Strangeness: L’Intrus, From Jean-Luc Nancy (2000) To Claire Denis (2004) 68
- Chapter 4. Cinéma-Vérité And Kino-Pravda: Rouch, Vertov And The Essay Form 86
-
Part Two: The Essay Film As Politics
- Chapter 5. Notes For A Revolution: Pasolini’S Postcolonial Essay Films 127
- Chapter 6. Chris Marker’S Description Of A Struggle And The Limits Of The Essay Film 145
- Chapter 7. A Woman With A Movie Camera: Chantal Akerman’S Essay Films 167
- Chapter 8. ‘What Does It Mean Today To Be A Communist?’: Nanni Moretti’S Palombella Rossa And La Cosa As Essay Films 192
-
Part Three: The Essay Film As Utopia
- Chapter 9. Mohamed Soueid’S Cinema Of Immanence 219
- Chapter 10. Inside/Outside: Nicolasito Guillén Landrián’S Subversive Strategy In Coffea Arábiga 237
- Chapter 11. American Essays In How To Build A Home: Thoreau, Mekas, Proenneke 256
- Chapter 12. ‘To Speak, To Hold, To Live By The Image’: Notes In The Margins Of The New Videographic Tendency 275
- Afterword. The Idea Of Essay Film 300
- Index 306